To return to a point in your life that you have already lived is metaphysical. Déjà vu, as most of us call it, feels mystical, even if it has a chemical explanation. Scientific evidence aside, to relive something that you have lived before is an experience that seems to connect us with something beyond ourselves. We can both be in the moment and be able to predict (or at least have the feeling that we are predicting) what is coming around the next corner. But to experience déjà vu and to be able to improve upon the actions that once were? Now that is something different altogether.

We are excited to announce Abigail Washburn will debut her first theatrical work, Post-American Girl, at Joe’s Pub at The Public Theater March 28 – 30 as part of New York Voices, the venue’s popular commission series designed to help musicians make the leap from songwriting and performance to theatrical production. Washburn’s new stage piece is about an American girl coming-of-age in a swiftly changing global order.

On Sunday, most of the city slinked out of bed with a “careless whisper” and just enough gas left in the tank for one more day. Fans flocked to the Louisville village where they could hair-the-dog at the Kentucky Bourbon tent with some Woodford Reserve and then roll over Starboard Stage where Moon Taxi was gearing up to go.

"Tennessee, Tennessee, there ain't no place I'd rather be, Baby, won't you carry me back to Tennessee."  As I packed up the car and prepared for my road trip, I couldn't shake the lyrics of 'Tennessee Jed' off my mind.  Chicago, IL to Manchester, TN – 534 miles.  This was going to be my triumphant return to the festival I had grown to love in its first three years, but hadn't been able to get back to since 2004.  Bonnaroo, for some, is the pinnacle of music festivals across the nation