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California-born ALO (Animal Liberation Orchestra) is back in their home state this February for Tour d’Amour IX, the band’s annual winter tour celebrating love - of music, for their many loyal fans, and their fondness for the Golden State.

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The title of this review does not just come from my opinion as a music writer in the scene since the mid-nineties. I have heard this from nearly every person that I have heard talk about STS9 for the last year or so including members of the band. I was lucky enough to catch half of their four-night run at the Fillmore Auditorium in Denver, and I saw them at least three other times in the past year.

It’s interesting to be able to think back on the music of the 1990s, let alone the 2000s and what evolved in the live music concert experience. The reemergence of the multi-day music festival gave the jam band revival a venue to gig multiple shows at once and get closer with the fans. What also changed was what kind of music was being performing in a live setting. There was always a separation between the deejay persona and electronica music from the whole rock’n’roll bands that jammed. That certainly changed with the growing popularity of summer music festivals.

Railroad Earth returned after two years to The Pageant on January 17th to open with The Forecast and Tim Carbone on violin. Following a large crowd welcome, the band started up into a soulful Long Walk Home that had us swaying. The band got rolling with an upbeat Lordy, Lordy and got us to jump and stomp to Gold Rush. RV made everyone dream of taking a road trip due to the weekend’s warm weather and also had Andrew Altman on the double bass.

Fox Street is one of those bands I wouldn’t expect to be based in Colorado. Florida possibly, Texas I could see, but Colorado is a bit of a wildcard. Maybe it’s Jonathan Huvards’ throat churning, rocky road vocals. Then again it could be the picking, sliding and stomping of their close-knit instrumental unit that screams southern roots.

The Heavy Pets kick off their Winter Tour 2015 this weekend with their first headlining San Francisco two-night stand at the Boom Boom Room.

Nels Cline’s music brings tangibility to abstraction. Over the years, as bandleader or featured sideman, his approach has little preconception of where the music needs to go or how his audience will respond to it. It’s the next evolution in the jazz idiom. While younger generations might know Cline as the non-exemplary lead guitar of alt rock band Wilco, his career as an established jazz authority dates back to the mid 80s.

The acclaimed Beatles concert LET IT BE will launch a U.S. trek starting Wednesday, February 18. LET IT BE is the only show with grand rights to The Beatles’ music, and it has played to rave reviews and sold-out crowds on London’s West End and on Broadway in New York City.

We are pleased to announce the first phase of shows for The Garcia Project’s SPRING TOUR 2015:

April 3 Buffalo, NY – Tralf Music Hall with Workingman’s Dead [TICKETS]

The Grateful Dead Hour and Dead to the World radio host David Gans announces that auction items for the 29th annual KPFA Grateful Dead Marathon are now at the starting gate! Auction items may be viewed at: http://cloudsurfing.gdhour.com/archives/tag/kpfamarathon2015

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