Pickathon

We can’t gather together this year, so Pickathon is bringing their eclectic lineup to your house instead for Pickathon At Home. Running July 31 to August 2, 2020 (original festival dates), starting at 4pm PDT each day, Pickathon At Home will feature high-def, multi-camera livestreamed sets from past festivals by all-star artists, exclusive merch, and a place to gather across social media for the many Pickathon fans missing live music right now.

Pickathon has always been built for the digital age, with an army of audiovisual specialists, high-tech equipment, and a commitment to film not only every stage and performance, but secret video stages and extra performances each year. When Pickathon realized that the 2020 festival would have to be postponed due to COVID, they pivoted immediately and opened up their extensive vaults of content for a 100+ day fundraiser for MusiCares.

Week Eight of A Concert A Day is here and North Carolina is giving us three of the best artists they have to offer, with honky tonk-infused Appalachian Bluegrass pickers Town Mountain, acclaimed roots duo Mandolin Orange, and folk rock water diviners Hiss Golden Messenger each representing the Tar Heel State on Pickathon stages Monday, Friday, and Saturday respectively. We’ll also see art pop expressionist Ezra Furman, South Carolina Americana mainstays Shovels & Rope, and Swedish post-punk fusion reactors Viagra Boys in their 2019 Galaxy Barn performance.

On Monday, the fourth week of A Concert A Day kicks off with Miya Folick, one of the most memorable sets of Pickathon 2019. The L.A. dark pop balladeer, known for her soaring vocals and unmitigated on-stage energy, once used Tinder to put together her band. Monday’s stream of Folick’s Woods Stage performance will be hosted by Paste Magazine’s Ellen Johnson. Acclaimed roots-gospel duo The War and Treaty (Michael Trotter Jr. and Tanya Blount-Trotter)  also played the Woods Stage in 2018.

This week of Pickathon's A Concert A Day brings us GRAMMY winners and nominees (Margo Price, Andrew Bird). We've also got performances from Brownout (side-project from members of the GRAMMY winning latin-funk orchestra Grupo Fantasma), whose latest album, Berlin Sessions, just dropped in March and was produced by Steve Berlin of Los Lobos. We also get to see celebrated Americana and rock favorites The Lone Bellow  and Thee Oh Sees,  and The Oh Hellos, in their respective 2013 and 2016 Pickathon visits.

As we fight COVID-19 together, the power of music to bring hope, foster community, and encourage mental health is more resonant than ever. With this in mind, Pickathon is excited to present A Concert A Day starting April 8, an initiative to help musicians and artist communities through the Recording Academy’s MUSICARES® organization. During this time of hardship, with so many artists unable to tour and so many people stuck at home, Pickathon is opening the vaults to premiere one full concert a day for 60 days, streaming for free on Facebook, Amazon Music’s Twitch channel, and on YouTube.

Returning to Pendarvis Farm in Happy Valley, Oregon, Pickathon (July 30 - August 2, 2020) will look and feel completely different. At Pickathon 2020 you’ll find new stages, new artists, a new festival site, and a new way of looking at music festivals that ties everything closer to nature. In a radical departure from other music festivals, as daytime and nighttime roll across the grounds at Pickathon each of these periods will awaken different stages and moods.

Earlier this month, Pickathon, the four-day music festival, took place at Pendarvis Farm, near Portland, Oregon. The event, which began in 1998 as a bluegrass festival, has since expanded to include folk, jam band, metal and indie artists.

Pickathon (August 1-4, 2019) is excited to announce the premiere of the Pickathon All-Access Streaming Pass, enabling the world to intimately experience all of the special moments at what Pitchfork called “the most unique music festival” in the U.S.

We all know that when it comes to booking festivals, sexism is unfortunately alive and well. According to a 2018 Pitchfork investigation featuring a sampling of 20 American music festivals, it was revealed that, on average, only 19% of festival performers were female or non-binary. An additional 11% were bands with at least one female or non-binary member. That means that an average of 70% of solo performers or bands at American music festivals last year were all-male.

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