On Tour

Steely Dan | Arlene Schnitzer Concert Hall | 7/2/2014 | Review

Steely Dan ‘Jamalot—[a Lot!]—Ever After’: The Show Biz Kids Are Still Pioneering Music on the New Frontier

Poets are the unacknowledged legislators of the world~ Percy Shelley

Umphrey's McGee | Red Rocks | 7/5/2014 | Review & Photos

For the first time since they started headlining Red Rocks, Umphrey’s McGee achieved a sellout on Saturday night at the famed amphitheater. They proceeded to demonstrate over the course of two fiery sets exactly why it was such a hot ticket.

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Umphrey's McGee | Fraze Pavilion | 6/28/2014 | Review & Photos

There is one thing I know, a little rain will not stop an Umphrey’s McGee Fan. Last weekend, June 28th, in Kettering, Ohio, there was an epic rock show at the Fraze Pavilion. This was Umphrey’s Mcgee’s first show at this venue and it was bound to rock rain or shine.

Widespread Panic | Red Rocks | 6/27/2014 | Review & Photos

Last year during Widespread Panic’s annual June pilgrimage to Red Rocks, I bore witness to a natural phenomenon so sublime, it will be emblazoned in my memory until my dying breath. An awe-inspiring lightning shower accompanied nearly the entirety of Saturday’s second set.

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Friday the 13th Full Moon in the Mountains with moe.

It was an illustrious night to be in the mountains of Bellvue, CO at one of the most beautiful venues in the country, Mishawaka Amphitheatre. How much more perfect could the setting be? It was a full moon on Friday the 13th, and the magic in the air was palpable. Every band loves to play at this venue that was recently reinvented, and moe.

Dave Rawlings Machine | Boulder Theater | 6/19/2014 | Review

When Dave Rawlings hits his stride, the genius of his improvisation seems to stop time. All other distractions fade away and one can focus on his confident, driving guitar playing that is both discrete in melody and fluid within the larger harmony. Mr. Rawling’s is like a chess Grandmaster, able to play 20 moves ahead.  This is an incredible strength because as you begin to realize the beauty of what he has just played – a reward to those listening closely – Mr.

Bob Schneider & Hayes Carll | Fox Theater | Boulder, CO| Review

If performing with a band isn’t pressure enough, imagine a one-man act with nobody to fall back on. Relying on crowd dialogue and a hefty dose of humor is necessary to counteract any hesitation or nervousness, helping to fill the void between clapping and the next song. A couple of Texans recently made their way to The Fox Theatre to perform solo sets that relied on lyrical depth and a good sense of humor.

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Roosevelt Collier's Colorado Getdown | Review/Photos

Striking out on your own as a musician after being part of an ensemble is never easy to do, save for the fortunately marketable front men and Beyoncés of the world. Roosevelt Collier is doing his best, and while picking up steam, has never forgotten where he came from and what made him the musician he is today. Forged out of the Pentecostal beliefs surrounding “Sacred Steel,” Roosevelt is both carrier of the torch and genre-hijacking outlaw.

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Stephen Stills | Boulder Theater | 5/17/2014 | Review/Photos

If the spirit of the 60s was still alive, it’s probably not through the music. Nostalgia is what connects most folks to those simpler, but equally perplexing socioeconomic times in American history. On a grand scale, the human-be ins and connectivity that brought the young generation, the baby boomers, growing into adults of the late 1960s, was a time when youth stopped buying into their elder generations ideas of conformity and the lies about being patriotic by supporting a pointless war halfway across the world.

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The Ringers | Fox Theater | Boulder, CO | 5/8/2014 | Review

The idea of the super group can be a tricky concept. Powerhouse musicians of their craft all accomplished individually, collaborating together as a new ensemble. Ego, style, and ability can clash. True cooperation is easier to envision than to execute properly. In the jazz world it gets even more complex. Since jazz is inherently less about similar personnel compiling a unit and more about open collaboration and musical conversation, creating jazz “super-group” is a delicate operation.

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