On Tour

On a raw, soggy Wednesday night, an army of San Franciscans donning thick cardigans and even thicker horn rimmed glasses peruse Café de Nord's intricate wainscoting and hand carved mahogany bar as The Love Language plugs in.  Along with orchestral Dan Deacon and eclectic veterans Yo La Tango, Lov

eTown presented another amazing show at the Boulder Theater on Valentine’s day, saving me from the alternative, a romantic home cooked meal (aka cabbage and salmon quiche- my boyfriends favorite) Relieved and excited, I rolled into the theater around 7 and could hear Martin Sexton warming the crowed up already.

A lot of the people in attendance at the Public Enemy/Karl Denson’s Tiny Universe show in Denver this Saturday were surprised to find out KDTU was headlining the show (the advertisements led one to believe otherwise).

There is just something about the Fillmore Auditorium in Denver that brings out the best in Umphreys McGee.  The Chicago prog-rockers have made this exalted venue a mainstay each year since 2005, and each performance has outdone the last.  This should come as no surprise to those who know the band since they are performing brilliantly these days and have

Boulder sure loves them some Amos Lee. The singer/songwriter from Philadelphia turned up the heat for Saturday’s sold out audience at the Boulder Theater. Lee’s sweet blend of Folk and R&B, spanning four studio albums, fully satiated his devout Colorado audience.

Influencing generation after generation of musicians—from Primus to No Doubt to The Red Hot Chili Peppers, Fishbone was and continues to be a monumental force in the disintegration of musical and social borders.

Furthur began their spring tour with a prequel three-show stop at the 1st Bank Center in Broomfield, Colorado on Friday.

I’m a die-heart feminist. That’s why I was surprised by how distasteful the Vanity Theft show was on February 2.

Straddling a fence is a position few if any people like to find themselves in, each foot planted in opposition. Bobby Long has found himself a flourishing home in this middle ground however, a point not of indecision but of movement and change from a solo musician to recording and performing with a full band.

Just by the looks of the stage before any performers stepped foot on it, it was obvious that the evening’s music would be substantial. In addition to the usual drum set, keyboard station, guitar stands, and microphones, there was also an accordion, an upright bass lying on its side, lone floor toms set up next to three of the stations, a guitar rack complete with acoustic and electric axes, mandolin, lute, dobro and banjo, and random shakers sprawled about.

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