Today four-time Grammy-nominated bluegrass quintet The Seldom Scene has shared their latest single “Man at the Crossroads,” a wistful reflection on times gone by. “I have known of this song for a long time,” says dobro player Fred Travers of the expertly penned and beautifully performed number. “It was written by my friend and neighbor, singer-songwriter David Norris, and I have always wanted to record it.” After years of dreaming of interpreting the tune,Travers brought “Man at the Crossroads” to the band, who worked their usual magic transforming the nostalgic folk tune into a rolling, sentimental tribute to the search for home, complete with heartfelt solos by Travers and fiddle player Ron Stewart.
“Man at the Crossroads” is the latest single from the Seldom Scene’s upcoming album, Remains to Be Scene—out March 14th on Smithsonian Folkways. Remains to Be Scene features an interpretation of Jim Croce’s “A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues),” a pair of songs by Bob Dylan: “Walking Down the Line” and “Farewell, Angelina,” while also revisiting a fan-favorite, “White Line,” from the iconic Live at the Cellar Door album and paying tribute to their inspirations, Flatt & Scruggs, with “Hard Travelin’.”
Fans can stream or purchase “Man at the Crossroads,” check out Seldom Scene’s previously released singles, “Farewell, Angelina” and “Last of the Steam-Powered Trains,” and pre-order Remains to Be Scene ahead of its March 14th release right here. For more information, please visit seldomscene.com.
Remains to Be Scene Tracklist:
Last of the Steam-Powered Trains
Man at the Crossroads
A Good Time Man Like Me Ain’t Got No Business (Singin’ the Blues)
Hard Travelin’
Farewell, Angelina
Walking Down the Line
Lonesome Day
I Could Cry
White Line
Show Me the Way to Go Home
The Story of My Life
More Behind Remains to Be Scene: Self-produced with engineering and mixing by Jim Robeson at his studio The Bar in Rockville, Maryland, Remains to Be Scene caps the end of an era for the group in many ways. The album is dedicated to the memory of Bluegrass Hall of Famer and Seldom Scene cofounder Ben Eldridge, who retired from the group in 2014. But Eldridge remained a major presence and friend to the band, penning heartfelt liner notes for this album before his passing in April 2024.
Also notable is that Remains to Be Scene marks the final album for Dudley Connell, another Bluegrass Hall of Famer as a member of the Johnson Mountain Boys. Connell wrapped up a Seldom Scene tenure of nearly three decades on guitar and vocals with his retirement at the end of 2024. “Twenty-nine years, dude, that’s a long, long time,” Connell says with a laugh. “No regrets, I’ve loved every minute of it, and it’s been a real joy working with these guys for so long. But I want to get out while I still have my mobility and can travel, walk my dog, things like that.”
About The Seldom Scene: Most legendary bluegrass artists get that way by rambling far and wide. But not The Seldom Scene, which is as legendary as they come even though the group has mostly stayed close to home in the greater Washington, D.C., vicinity for most of its 53 years of existence. And yet even as the progressive bluegrass quintet’s lineup has turned over multiple times from those early days, The Scene has maintained an admirably high standard of musicality and artistry, on record as well as onstage at live-residency venues like The Birchmere in Alexandra, Virginia. The band makes old songs sound brand new while putting a bluegrass spin on some of the least-likely cover songs in the genre. Those virtues are all in place on Remains to Be Scene, their 24th album, released on Smithsonian Folkways, on which they cover everybody from Bob Dylan to The Kinks with customary flair. The album is also another milestone effort for the Scene -- the first since the passing of co-founder Ben Eldridge (who penned liner notes before his death in April 2024) as well as the last for longtime Scene member Dudley Connell, who is retiring after 29 years in the band. As usual, the rest of the Scene is taking those departures in stride. One way or another, The Seldom Scene will go on.
About Smithsonian Folkways: Smithsonian Folkways Recordings, the "National Museum of Sound," makes available close to 60,000 tracks in physical and digital format as the nonprofit record label of the Smithsonian, with a reach of 80 million people per year. A division of the Smithsonian Center for Folklife and Cultural Heritage, the non-profit label is dedicated to supporting cultural diversity and increased understanding among people through the documentation, preservation, production and dissemination of sound. Its mission is the legacy of Moses Asch, who founded Folkways Records in 1948 to document "people's music" from around the world. For more information about Smithsonian Folkways Recordings, visit folkways.si.edu.
