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Over a career spanning more than 40 years and nearly 50 albums, John Abercrombie has established himself as one the masters of jazz guitar. Favoring unusual sounds (he played electronic mandolin on McCoy Tyner's 1993 album 4x4) and nontraditional ensembles (recent quartet recordings have included violinist Mark Feldman), Abercrombie is a restless experimenter, working firmly in the jazz tradition while pushing the boundaries of meter and harmony."

Greg Osby

The anticipation outside San Francisco’s Bill Graham Civic Center was at an all time peak! Dead Heads everywhere with their long hair, dread locks, beards, hemp necklaces and tie-dyed clothing were lined up outside the venue either in line or holding up their pointer finger praying for a miracle ticket. This was the kind of atmosphere I had dreamt about for years! It was beyond a rock n’ roll concert! It was the indescribable coming together of thousands of Dead Heads, who are a tribe, who become joined into one strong force once they step a foot through those auditorium doors.

When I first heard the word remix I was a bit skeptical. Many of the remixes I have listed to over the years have been nothing more than a cheap and easy way for the record companies to make money. Throw down some new backgrounds and you have yourself a remix. My Brightest Diamond’s Shark Remixes are the furthest thing from sounding budget.

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