Artists
T Bird and The Breaks were walking the lady killer beat pre-show Friday (November 6) night. Of the nine members of the band some were prancing the approximately 30 feet by 60 feet downstairs of Stubbs in anticipation, while others were getting loose with mixed drinks, MGD and billiards.
Legendary jazz-funk bassist Meshell Ndegeocello recently brought her band to Boulder Theater in support of her new album, Devil's Halo – a show totally unlike the one I expected (more on that in a minute).
Describe them anyway you want; whether it be glitch, trance, trip-hop, ambient, dub-step, or electronica. The fact remains that the explosive improvisational duo known as EOTO are just plain badass. Multi-instrumentalists and sometimes String Cheese Incident members Jason Hann and Michael Travis continue to explore the universe and conquer galaxies with their house-pounding beats and cosmic rhythms. What was born out of the extended SCI hiatus as an experimental project has grown to a full-on club headliner. With the release of
The Band of Heathens, whose new album One Foot in the Ether the webzine AmericanaRoots.com ponders as "the best record of 2009," will appear on PBS' Austin City Limits on November 7 on a bill headlined by Elvis Costello. On the program, the band performs five songs: "Jackson Station," "L.A. County Blues," "Shine a Light," "Golden Calf" and "You're Gonna Miss Me When I'm Gone."
DSO is excited to be joined by many great friends for their second installment of the Cosmic New Years. This year at Rams Head Live! DSO will be joined by some great friends and family to ring in 2010. Jeff Mattson of the Donna Jean Godchaux Band will join DSO on Guitar, Donna Jean Godchaux will lend her legendary voice to the night's festivities and Baltimore's own, The Bridge, will kick off the evening.
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Bob Dylan still rocking a place like the Greek Theater in 2009? Anyone who would stated that to be possible in the late sixties would have others thinking it to be very unlikely. By the late sixties Dylan had crashed his motorcycle badly and had turned into a recluse poet, shying away from the claims that he was one of the big “prophets” or “fathers” of the hippie generation. Dylan rejected the notion preferring to be labeled a human being like the rest of us. He changed his harmonica folk blues to a more country tinged rock n’ roll.
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