In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says.

In James McMurtry’s latest album, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with an elegant, yet no-bullshit approach. McMurtry recorded the album with legendary producer Ross Hogarth (Ozzy Osbourne, John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groove Masters Studio in Santa Monica, California, a world class studio that has housed such legends as Bob Dylan, David Crosby, as well as Browne himself for I’m Alive.

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey.

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says.

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelat

James McMurtry has released an exclusive solo digital EP entitled Soundcheck at the Gallery as a benefit for the legendary Austin-based Continental Club, to help cover the venue’s mounting costs during the COVID-19 pandemic. The new EP doubles down on efforts already in motion by the iconic singer-songwriter: his recent digital EP Blast From the Past also benefits the club. McMurtry, who has had a Wednesday-night residency at the Continental for more than 20 years, is donating 100% of both of the EPs’ sales.

The James McMurtry Band’s Blast From the Past is out today. The new and previously unreleased EP, featuring McMurtry on vocals and guitar; Tim Holt on guitar; Ronnie Johnson on bass and Daren Hess on drums, was recorded live at the Continental Club in 2006. The singer-songwriter is donating 100% of sales to the legendary Continental Club (which has hosted his Wednesday midnight residency for more than two decades) to help cover mounting costs during the COVID-19 pandemic.

Nowhere Else Festival aims to bring together over 1,000 fans and friends for a weekend of music, art and conversation. By continuing this festival each year, Linford Detweiler and Karin Bergquist (aka Over the Rhine) are creating a legacy, ensuring that the traditions of folk music endure for years to come. Read more about the festival here: http://www.nowhereelsefestival.com/about

Continuing the 120-year-old tradition of bringing music, oration and the arts to the Boulder community, the Colorado Chautauqua Association, steward of Boulder’s cultural and historical gem the Colorado Chautauqua National Historic Landmark, is pleased to announce its 2018 Summer Concert Series. From Amos Lee and Andrew Bird, to Graham Nash, Ziggy Marley and Mary Chapin Carpenter, this year’s lineup presents a diverse mix of performers across genres that appeal to every music fan.

About Sarah Jarosz: With her fourth album, Undercurrent, Sarah Jarosz makes a studied departure from her previous records, shifting the emphasis from her skills as a multi-instrumentalist to her songwriting and vocal performance. Undercurrent accentuates the growth and maturity that Jarosz, now 25, has achieved since graduating from New England Conservatory and moving to New York City. The change in approach garnered Jarosz two Grammy Awards in 2017-for Best Folk Album Year for Undercurrent and for Best American Roots Performance for "House Of Mercy".