James McMurtry released The Black Dog and the Wandering Boy via New West Records. The 10-song collection was co-produced by McMurtry & Don Dixon (R.E.M., The Smithereens) and is his first album in four years. The Black Dog and the Wandering Boy features appearances by Sarah Jarosz, Charlie Sexton, pat mAcdonald, Bonnie Whitmore, Bukka Allen, and more alongside his trusted backing band—BettySoo on accordion & backing vocals, Cornbread on bass, Tim Holt on guitar, and Daren Hess on drums.

James McMurtry will release The Black Dog and the Wandering Boy on June 20 via New West Records. The 10-song collection was co-produced by McMurtry & Don Dixon (R.E.M., The Smithereens) and is his first album in four years.

James McMurtry will release The Black Dog and the Wandering Boy on June 20 via New West Records. The 10-song collection was co-produced by McMurtry & Don Dixon (R.E.M., The Smithereens) and is his first album in four years.

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says.

In James McMurtry’s latest album, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with an elegant, yet no-bullshit approach. McMurtry recorded the album with legendary producer Ross Hogarth (Ozzy Osbourne, John Fogerty, Van Halen, Keb’ Mo’) at Jackson Browne’s Groove Masters Studio in Santa Monica, California, a world class studio that has housed such legends as Bob Dylan, David Crosby, as well as Browne himself for I’m Alive.

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey.

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation ( closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says.

In James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years, due August 20 on New West Records, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelat

James McMurtry has released an exclusive solo digital EP entitled Soundcheck at the Gallery as a benefit for the legendary Austin-based Continental Club, to help cover the venue’s mounting costs during the COVID-19 pandemic. The new EP doubles down on efforts already in motion by the iconic singer-songwriter: his recent digital EP Blast From the Past also benefits the club. McMurtry, who has had a Wednesday-night residency at the Continental for more than 20 years, is donating 100% of both of the EPs’ sales.

The James McMurtry Band’s Blast From the Past is out today. The new and previously unreleased EP, featuring McMurtry on vocals and guitar; Tim Holt on guitar; Ronnie Johnson on bass and Daren Hess on drums, was recorded live at the Continental Club in 2006. The singer-songwriter is donating 100% of sales to the legendary Continental Club (which has hosted his Wednesday midnight residency for more than two decades) to help cover mounting costs during the COVID-19 pandemic.