I'm over my wishy-washy indecision about which show to review up next for y'all.

There's a lot of music floating around out there these days that falls under the greater umbrella of rock and roll, but doesn't really subscribe to any specific genre therein.  Bending and blending genres has almost become a genre unto its self.  Not that I'm complaining, and not that it hasn't always been this way to some extent in the world of music.  But being where we are in history, there is more music behind us than there ever has been in the past, meaning there are more possible sources of influence than ever before too.  This, of course, should be obvious, since

I realize more and more every day since the summer of 2008 started, that a sizeable number of people have never been to the Mishawaka Amphitheater, and a good portion of those that have never visited have never even heard about it. Gasp! It is becoming unfathomable to me that people have never heard of what most affectionately call The Mish.

Since it has been over four years that Phish has toured, it is easy to forget how exciting and inspiring it can be to watch them play.  Though there has been a recent slew of delightful audio performances released, the emergence of the Walnut Creek DVD (recorded at the famed venue in North Carolina during their 1997 summer tour) finally gives fans another chance to have Phish illuminate their eyes as well.

The Grateful Web was on-hand at Red Rocks last night for the RatDog & Allman Brothers show.  Here are pictures and video snippets from the show.

Few venues in the world are finer places to see live music than Red Rocks Amphitheater in Morrison, Colorado.  On a clear summer night under a bright moon with a cool breeze, few places are finer to be, period.  It is a venue ideally suited to big sounds and bright lights, as both of these will inevitably play upon and dance between the sheer vertical red stone cliff faces.  True fans, and it doesn't matter of whom, show up early and tail gate in the parking lots, soaking up the sun and self-medicating themse

It's no secret that some of the best music, or at least the most outspoken, comes out of times of turmoil. The 60's and 70's were a heyday for such music, much of it politically righteous and fervently anti-establishment. But there was a lot to be righteous about back then, and in times when there is so much to be upset about, people find that they have much to say.

One thing you can say about guitar virtuoso Greg Howe is he doesn't always take himself seriously. His recent release, Sound Proof, sports a cover of him in the act of trashing a guitar and a speaker. The back also boasts an image of him sitting with a pair of earphones on, screaming as if the sound is way too much.

In many ways the Grateful Dead's music was destined from the beginning to be a symphony, much as the band itself was an orchestra with core members and a rotating cast lending a hand.  When I was a kid and my father would listen to them I would immediately be able to draw similarities due to the complexities between their music and classical.  Perhaps that's why it's fitting that finally after all these years someone has finally written a symphony which is based on and inspired by the