Craft Recordings is pleased to announce a vinyl reissue of Joy: A Holiday Collection from award-winning singer-songwriter Jewel. In stores October 18th, the best-selling title features beloved holiday classics as well as festive, original compositions. The album has been remastered by George Horn and Anne-Marie Suenram at Fantasy Studios and manufactured at Memphis Record Pressing. This reissue marks the very first vinyl availability of the title, which was originally released in 1999.

Mother/Daughter duo Cliffs + Caves announce the release of the music video for their lead single "Defiance", recently featured on their critically-acclaimed album release Capsize. Stepping away from their traditional Indie-folk blended sound, Cliffs + Caves create a fierce indie-rock song that breaks the silence of anyone who has been victimized or silenced before. Written as a battle cry, standing up for the powerless who can't speak up for themselves, the song was originally inspired by an interview from a victim of sexual violence.

Today, the WinterWonderGrass Music & Brew Festival shares the 2020 lineup across all three of their flagship events. Taking place in Colorado from February 21st - 23rd, California from March 27th - 29th and Vermont from April 10th - 11th, the traveling music festival will welcome performances from some of the hottest names currently thriving in today’s Bluegrass and Americana music scenes. 

Steely Dan and the Grateful Dead are both American musical treasures – but couldn’t be more different in their approach to music. The epitome of precision and setlist free, organic, and loose.  Studio perfectionists and the omnipotent live music band. Yet in spite of these differences, many of us love both these bands. They’re huge parts of the soundtracks of our youth and present day. What better way to celebrate both bands then enjoying a merge of the two in a night of American rock-n-roll supremacy. 

Festivaaaaal! Everybody knows that rally cry. Do you know why it became the go-to rally cry for Leftover Salmon? The origin of Festivaaaal! was wondering Telluride’s campsites, bonding over Star Trek’s Red Hour episode. It’s not just an exciting statement of your location. Festivaaaal! has become synonymous with Leftover Salmon’s infectious enthusiasm and the way they can fit on any bill, in any location, with any other bands. Festival! is a shout of pure bliss while reveling in the good times listening to one of the most enduring bands of all times, Leftover Salmon.

Tangy banjo and back chop beats drive “Blue Trash,” the third song from The Dead South’s forthcoming Sugar & Joy. Out today, “Blue Trash” is a playful acknowledgement that along their road from unsigned Canadian string set to Gold Certified, JUNO Award winning, Billboard charting band, some have taken issue with the prairie pickers’ progressive style.

Dirtwire, the genre-bending, world-instrument-wielding trio of Californian musicians have released their newest single, “Cannonball”, available now everywhere you stream music (fanlink.to/dirtwire_cannonball). The song plays tribute to the western influences on Dirtwire’s sound, with a sprawling bassline that carries the song as it traipses through the dusty American backcountry.
 

After a wildly successful Kickstarter campaign, where Kitchen Dwellers crowdsourced more than their goal to support a coming studio effort, the band is pleased to announce the release of Muir Maid, expected out November 8th, 2019.

Cincinnati-based bluegrass band Rumpke Mountain Boys (RMB) begin their fall tour—focusing on regional venues and festivals. This bluegrass, also named “trashgrass” band, starts their journey on October 11 in Bowling Green, KY at the A-Frame with a fan kick-off, two-night run.

Steve Kimock and Friends wrapped up their mini-tour of the Northeast Saturday night to a sold-out Ardmore Music Hall just outside Philadelphia.  The night was started by Hayley Jane (Hayley Jane and the Primates) performing a solo acoustic set as the crowd worked their way in off the streets.  By the time her set was halfway through the crowd had largely filled the 600-person venue and were often delight