As it has so many times over the past 100 years, the legendary Cervantes' Masterpiece Ballroom became the epicenter of jazz and funk fusion on Friday night, as a stellar lineup of musicians gathered to pay tribute to one of the genre’s greatest visionaries: Herbie Hancock. Long before Cervantes’ earned its reputation as one of Denver’s premier venues for jam bands, hip-hop, and electronic music, the space had a profound legacy rooted in Jazz excellence.

When the children of rock and roll legends follow in their parents’ footsteps, it’s fair to wonder: is this gonna be any good? Or are we just in Bronny James territory? (That’s LeBron’s kid, for the sports illiterate among you. And trust me, while the kid ain’t horrible, you don’t want to be in Bronny territory.)

Progressive bluegrass is inherently demanding music, requiring technical mastery and creative vision. The best in the genre—whether it’s the original pioneers like David Grisman, Sam Bush, and Béla Fleck; modern innovators like Nickel Creek and Sierra Hull; or rising stars such as Mile Twelve and Shadowgrass—share a rare ability to make the complex feel clean, fluid, and effortless.

Goose returned for the second night of Goosemas XI at the North Charleston Coliseum and delivered even more twists and turns. They kept fans on their toes with an unpredictable set, despite revisiting a theme they had executed multiple times before.

It would be a mistake to oversimplify the blues by defining the genre as nothing more than “songs about sad stuff.” Surely, like certain religions that tell us all life is suffering (and yes, that is also an oversimplification), the blues are rooted in humankind’s universal, lizard-brain responses triggered by heartache, loss, and lowered expectations. Oh, and then we get a guitar solo, or maybe some bitchin’ organ crescendos to take us to church. The blues, oversimplified.

The end of the year, along with Goosemas, is upon us once again. It’s hard to believe how fast 2024 flew—and flew it did. Goose delivered the first night of the bingo-themed Goosemas XI without a hitch at the North Charleston Coliseum on Friday, December 13th, much to the delight of the fans. The show included the mystery of the bingo balls, which featured a couple of first-time-played covers.

On a crisp November evening, music aficionados gathered at the intimate Soho Restaurant in Santa Barbara for a night that promised a blend of talent, charm, and unparalleled musicianship. Eighty-year-old Albert Lee, the legendary guitarist renowned for his virtuosic playing and versatile style, took the stage with his band, delivering a performance that reaffirmed his status as an icon in rock and country music.

On November 18, 2024, the Bank of America Performing Arts Center in Thousand Oaks, California, was transformed into a sonic playground as the members of BEAT reunited for a spellbinding concert. In a bold move, bassist Tony Levin and guitarist/singer Adrian Belew decided to revisit the classic King Crimson albums from the 1980s, and the result was nothing short of breathtaking.

King Gizzard & The Lizard Wizard closed out the concert season at the Vina Robles Amphitheatre in Paso Robles, California, on November 3rd. Although some music journalists have described them as one of the hottest new bands on the planet, the ensemble has actually been together for 13 years, producing no fewer than 26 studio albums.

The spotlight on Dawes has always focused primarily on the Goldsmith brothers, Taylor and Griffin. Now, after numerous lineup changes and departures, it’s all about the bros.