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Those who have followed Ruthie Foster’s eclectic musical history know that she can burn down any stage with her combustible blend of soul, blues, rock, folk and gospel. And when Grammy Award-winning producer John Chelew suggested she record an album in New Orleans — with support handpicked from the Crescent City’s overflowing pool of talent — it was an opportunity for Ruthie to infuse fresh spices into her already rich sonic gumbo.
In the many months spent creating and then promoting this year's Join Us, They Might Be Giants recorded several new tracks, not all of which made it onto the album. The band has compiled the best of these recordings to create a brand new full-length, made up of rarities and many previously unheard tracks.
Dead.net is on a mission to make a miracle every day. As a token of their appreciation for making 2011 an epic year, we're giving away a high-quality 320Kbps MP3 download every day this month. That's 30 days of unreleased Grateful Dead tracks from the vault, selected by tape archivist David Lemieux! Intrigued?
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Bela Fleck and the Flecktones signed a number of copies of the 1990 CD “Béla Fleck & the Flecktones” and 1991 "Flight of the Cosmic Hippo" and added them to their online store for anyone who is interested in collecting some more unique Flecktones items.These CD's are no longer being printed by Warner Brothers. We don't have any plans on reissuing them as CD's at this point, so these are the last of them.
By the time he recorded the eponymous Todd in 1973, Todd Rundgren had charted with such evergreen hits as “Hello It’s Me,” “I Saw the Light” and “We Gotta Get You a Woman,” and had also been dubbed “Rock’s Renaissance Man” by Rolling Stone after releasing studio masterpieces Something/Anything? and A Wizard, A True Star. Todd was a departure; the iconoclastic artist included pop ballads alongside medleys, anthems, and prog rock.
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