The winter and spring of 1969 was a particularly exciting time for the Grateful Dead. They were finishing up their long-awaited third album, Aoxomoxoa, and playing with a passionate intensity unequaled in their nearly five years together.

Greeting San Francisco’s The Independent with wide smiles and affectionate waves, country/folk quartet Dawes blessed the Saturday night crowd with golden vocals, sultry finger picking, and radiant, molten country jams evocative of Workingman’s Dead.  Riding rave reviews of their performances at Lollapalooza and Barnstormer,