Every town has its bar band that packs in the crowds on Saturday nights, but few towns have a draw like Minneapolis' group, The Feelin Band, and what they can produce, wrapped up in a good time.

Every time I write about these boys, I somehow slip into my hill country roots and all sorts of mountainisms start coming out of my mouth. I guess it's because I get caught up in the theater of the band and the fact that they don't take anything seriously—except their music. You can't believe a word written on their websites—especially the bios of each current member and former member.

Despite two evenings devastated by severe thunderstorms and even hail, the 2008 Wakarusa Festival held at Clinton Lake, Kansas powered through it all and still provided its attendees a great weekend of music, camping, and all around good times.

For classical composer Lee Johnson, tackling the work of the Grateful Dead was like discovering the musical foundations of a new foreign country. Johnson is known for his concert pieces, choral works, short operas and musicals, planetarium soundtracks, and solo/ensemble pieces that cross into jazz and big band music.

Today's review is a show readily available for download at the Live Music Archive, 7/29/88, at the Laguna Seca Raceway in Monterey California. This was the first of a three show run at Laguna Seca, and in my opinion the best of the three. I chose this show mainly because of the extremely high quality of the recording currently available at the LMA. It sounds to me to be a mislabelled soundboard or soundboard/audience matrix recording, but I suppose it's possible that its just a phenomenal audience recording.