Borrowing a thought from another Grateful Web writer, I’d say that you can tell a lot about a festival by how it handles its second year.  No festival is ever perfect, and the first year is definitely the experimental year.  In the second year, you get to see how the festival responds to the demands placed upon it by its patrons.  Do things get better or worse, smoother or more of a hassle?  Last weekend, July 18th and 19th, I boogied on down to the second annual Mile High Music Festival just outside Denver, Colorado.  Having rocked

Rodrigo Sanchez and Gabriela Quintero met as teenagers in Mexico City. Both heavy metal fanatics at that time, they decided to combine their talents in the metal group Tierra Acida. They recorded an album, but wouldn’t sign the record contract. Instead, they decided to concentrate on learning more guitar styles. They survived by teaching lessons during the day and playing bossa novas in hotel bars at night. One day, they decided to take a step in the unknown and traveled to Europe. They ended up in Dublin, where they still are based today.

Growing like wildfire under the canopy of live electonica and world roots music comes Beats Antique, a masterful merge of modern technology, live instrumentation and seductive performance. After only 2 and half years performing as a cohesive force, the group has just self released their third album, Contraption, Vol.1 which marks the first in a two-part EP series.