My first visit to the New Orleans Jazz and Heritage Festival (a.k.a. "Jazzfest") was sort of a happy accident. In 1988, I was a young 20-something Grateful Dead tourhead, and I heard rumors that Little Feat was going to play their first show since the death of Lowell George a decade earlier. The allure was heightened by the fact that the reformed band would play on a riverboat floating on the Mississippi in New Orleans.

On December 1st, 1973, a guitarist, a drummer, and their rhythm guitarist loaded their gear into the drummer’s Volkswagen bus and drove to Lane Hall at The University of Delaware. In a week that saw new albums by Wings, Black Sabbath, and Bachman-Turner Overdrive, the three-piece band proceeded to play covers that included ‘No Particular Place To Go,’ ‘Madison Blues’ and ‘One Bourbon, One Scotch, One Beer.’  The drummer, Jeff Simon, recalls the crowd was wary at first, “then it was like someone flipped a switch.” By the second set, the dance floor was packed.

As George Thorogood himself once put it, "I guess a good song is a good song is a good song, you know?" And what we have here is a collection of hard-stompin,' party-down, good songs—all penned by Mr. Thorogood himself. Scheduled for release on April 15, 2022, the aptly named album The Original George Thorogood brings together the best from the rock and roll heart and fevered brain of George Thorogood and his unstoppable, longtime band, The Destroyers.

Two-time GRAMMY Award nominee Joe Bonamassa will once again partner with Keeping the Blues Alive Foundation and Sixthman for the seventh annual Keeping the Blues Alive at Sea VII, sailing March 8-12, 2021 on the beautiful Norwegian Pearl from Miami, Florida to Ocho Rios, Jamaica. Fans are encouraged to join the presale now as all previous Blues Alive At Sea sailings have sold out. -- bluesaliveatsea.com.

George Thorogood brought his (Delaware) Destroyers and their “Rock Party” to Florida’s Seminole Coconut Creek Casino last Friday night.

When George Thorogood and the Delaware Destroyers burst onto the national scene in 1977, roots rock music was all but absent from contemporary radio. Yet, the focus and excitement that George brought to the classic songs of his idols such as Chuck Berry, Elmore James, and Jimmy Reed was undeniable.