When it comes to heavenly deities, the preferred choice of instrument is the harp. There is something so different and refreshing about the harp. In these days of pandemic and panic, a little taste of heaven may do you good. Perhaps because of the huge statue of a harp, it’s not something we see often in the jam band scene until now.
Bob Weir and Wolf Bros have rescheduled their headlining dates due to rising COVID-19 concerns. Read an official statement on the matter from the trio below:
"The health and wellbeing of our live music community is of the utmost importance. So, while we all deal with the effects of coronavirus (Covid-19) we will be rescheduling our remaining Bob Weir and Wolf Bros headline dates.
Amid a brief West Coast stint, Bob Weir and Wolf Bros graced the newly rebranded Oxbow RiverStage in Napa, California last Saturday. The trio led by the legendary guitarist and bandleader alongside constant collaborator Jay Lane on drums and prestigious producer/bassist Don Was has deservingly garnered an attentive following of its own. For many Bobby fans, his best work after the Grateful Dead was with RatDog throughout the mid-1990s into the 2000s.
Grateful Dead cofounder Bob Weir refuses to stay stagnant, and his latest occasional side project, the Weir & Wolf Bros trio, set up camp for a three-night, hometown residency August 1 to 3 in Marin County’s idyllic Mill Valley. Reports that tickets for these performances at the 300-capacity Sweetwater Music Hall sold out in 30 seconds are probably not exaggerated. Grateful Web was lucky enough to attend the first show of the run.
It was a good day. Redondo Beach, California’s, inaugural BeachLife Festival got off to a splendid start on Friday, May 3, with Bob Weir, Chris Robinson, Slightly Stoopid, and Steel Pulse leading the way, and the undercard featuring lots of roots-reggae rock, all of which colorfully defined the SoCal beach vibe. Cool breezes from the adjacent Santa Monica Bay and the Pacific Ocean kept temperatures in the 60s while the early May SoCal sun beamed down on several thousand rosy-faced attendees.
Wolf Brothers, consisting of Weir on guitar and vocals, Don Was on standup bass and Jay Lane on Drums, played a 1st set consisting of a mix of classic Grateful Dead songs including "Friend of the Devil” and “Althea" along with covers of Bob Dylan’s "When I Paint My Masterpiece" and Daniel Lanois' “The Maker” as well as a pair of Weir's solo and sideband (RatDog) in “Gonesville” and "Bombs Away” respectively. The first set ended with Barlow/Weir’s "Lost Sailor” segueing into “Saint of Circumstance.”
Bob Weir brought his newest project, The Wolf Brothers, to The Taft Theatre in Cincinnati on Wednesday night for an intimate and impressive performance that satisfied the theater full of his loyal fans. With a catalog as impressive and extensive as Weir’s, the band was able to curate a fantastic show full of songs spanning all of Weir’s career with The Grateful Dead as well as his side projects, solo work, and even some covers thrown in for good measure.
It hit me quickly after I had arrived at Jerry Jam 2017. It was the kind of revelation that, once discovered, seems obvious. But when it hit me, it felt earth-shattering. Not to mention fear-inducing. I looked down at the note I had just written. “I’m not going to have a lot to write about.” This came to me when I was watching The John K. band Friday afternoon.