Infamous Stringdusters

Infamous Stringdusters | Fox Theater | 2/16/2013 | Review

Sometime last Saturday night it dawned on me why the guys from the Infamous Stringdusters are doing so well for themselves; their charm and charisma comes through without toting a hometown identity. When the Dusters play in Nashville or Telluride, or Eugene, they make the crowd feel like their hometown crowd.

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Infamous Stringdusters | Fox Theater | 2/15/2013 | Review

At the second stop on their Ski Tour through Colorado, the Infamous Stringdusters used their first night at the Fox to make an extremely compelling case for the audience to return for the second show on Saturday. Seamlessly combining soaring solos with impressive stage dynamics and powerful songwriting, The Stringdusters left the capacity crowd in a sweaty, euphoric state.

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The Infamous Stringdusters Announce 2013 Ski Tour

Today The Infamous Stringdusters announce their 2013 Ski Tour – a run of shows that brings the band, and their fans, to the Rocky Mountains’ best U.S. ski towns this winter. The itinerary - which includes stops in Vail, Colorado, Park City, Utah, and Jackson, Wyoming, among others - promises a few days off to hit the slopes.

Just Announced: The Infamous Stringdusters at the Fox Theatre

Z2 Entertainment is proud to present The Infamous Stringdusters at the Fox Theatre on Friday, February 15th & Saturday, February 16th. Tickets will go on sale to the public on Friday, December 7th for $22.00 in advance and $24.00 day of show.

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Leftover Salmon: The Perfect Thanksgiving Cocktail

1 part Vince Herman and his commanding stage presence
1 part Drew Emmitt which includes his mandolin, electric guitar, fiddle, and smooth voice
2 parts Young Whipper-Snappers…Andy Hall on dobro + Andy Thorn on banjo
2 parts unified and silky rhythm section…Wally Ingram on drums + Greg Garrison on bass
1 part Special guests: Billy Fucking Nershi + Silas Herman
1 part small kid in front of crowd jumping on stage to play Vince’s washboard
 
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Infamous Stringdusters | Cervantes | 11/10/2012 | Review

One of the more humorous developing attitudes of newer bluegrass acts is that they don’t like applying the label “bluegrass”. Though their instrumentation, song selection, and style all point to an existing form. The trend seems to be that up-and-comings feel marginalized by being cornered into accepting the label. In certain ways I understand this fear. Donning the title of a “bluegrass” band makes its musicians pressured into accepting a certain catalogue of songs and a limiting context in which they can expand and improvise their instrumentals.

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