Stripmall Architecture

Sometime in between The Killers’ “Mr. Brightside” and Kanye West’s “Stronger,” electronic music officially became pop again. Long relegated to the support role after the death of new wave in the 80s, the keyboardist became a more prominent player (pun absolutely intended) in a band once again. Often just an add-on in a guitar-driven musical landscape, the keyboardist now plays the riffs, front and center. The buzzing sawtooth that starts Phoenix’s “1901” and the glossy bounce that propels Passion Pit’s “Take a Walk” are what gets stuck in people’s heads these days.

Stripmall Architecture pushes all boundaries as they continue to set the tone for much of the Bay Area electronic music scene. With a long history in music and collaboration, their exceptional sound takes new form with each new release, be it a dancy single with sexual innuendos, or a dark and haunting full length inspired by despair.

Stripmall Architecture pushes all boundaries as they continue to set the tone for much of the Bay Area electronic music scene. With a long history in music and collaboration, their exceptional sound takes new form with each new release, be it a dancy single with sexual innuendos, or a dark and haunting full length inspired by despair.

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