A Joyful Farewell to Garth Hudson, the Enigmatic Soul of The Band

He was the eldest member and, until now, the last surviving founder of The Band—a group that once served as Bob Dylan’s fearless co-pilots through tumultuous tours and the legendary sessions that birthed The Basement Tapes. The other Hawks, all bright lights in their own right—Richard Manuel, Rick Danko, Levon Helm, Robbie Robertson—preceded him in passing. And if you…

A Deadhead Diary: “When Push Comes to Shove” by Hollie A. Rose

It’s been said that all the years combine and melt into a dream. This can be true for any entity as it passes into history, and no doubt it applies in particular to the Grateful Dead. The story of this beloved band has been chronicled in numerous books by band members, insiders and close friends, and music journalists. After a while, it all rolls into one. So yes, the Grateful Dead has its own…

Full Steam Ahead: Switchman Sleepin’ Celebrates a Dozen Years of Magic

Switchman Sleepin’ is celebrating twelve years as a band, and like most things associated with the music of the Grateful Dead, there is no stopping this magical train. The band formed in typical hippie fashion: a few guys jamming at a backyard party in 2012 set the wheels in…

Goose Rings In the New Year With An Inspired Texas-Sized Performance

Goose returned to the Moody Center on December 31, 2024, to close out the year with a bang at a show billed as a formal event. The band donned button-up shirts, ties, slacks, capes, and masquerade masks reminiscent of The Phantom of the Opera. These masks, along with…

Goose Slam Dunks Night One At The Moody Center

After taking a year off from performing on New Year’s, Goose returned to Austin, Texas, for the third time in their career and for their sixth New Year’s run, which included a performance on December 31. They chose the 15,000-seat Moody Center ATX—located in the heart of the…

Rick Wakeman & Gordon Giltrap “From Brush & Stone” Limited Edition 180GM Clear Vinyl Available For Pre-order

Rick Wakeman

Arun Ramamurthy Trio to Release “New Moon” Long Awaited Second Album due out Sept 20, 2024 on Greenleaf Music

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Philly Music Fest Announces Waxahatchee Headlining 10/22

38 Years Later: Still High on Black Uhuru’s Reggae Vibes

Bringing Back the Spirit of San Diego's Iconic 90s Festivals: Mission Bayfest Expands to Three Days of Music, Food, and Fun

Festivals

Goose Achieves Lift-Off on Night One at SPAC

Shake, Sing, and Stir the Soul: Remembering Otis Redding

Otis Redding

New unheard version of Bob Dylan and The Band’s “Just Like Tom Thumb’s Blues” out now

Lettuce Teams Up with Nugs.net to Launch ‘Lettuce Live,’ An Exclusive Hub for On-Demand Audio & Video Concert Footage

Lettuce

Joni Mitchell “Traveling (Hejira)” demo released today

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SoCal's BeachLife Festival Announces BeachLife Nights, A Food & Music Experience October 18 & 19

The Bad Plus Announces Fall/Winter Tour, Tickets On Sale Today

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Grateful Web

May 17 at 4:52pm

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Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.

grateful web

Grateful Web

May 17 at 4:52pm

grateful web

On June 24, Round Records & ATO Records will release GarciaLive Volume Six: July 5, 1973 – Jerry Garcia & Merl Saunders, the latest installment of the celebrated GarciaLive archival series. The three-CD set was recorded at the 200 capacity Lion’s Share club formerly located in the small town of San Anselmo, CA, just 20 miles north of San Francisco. The performance features Jerry Garcia performing with friend, mentor and legendary keyboardist/vocalist Merl Saunders. The duo is joined by drummer Bill Vitt and bassist John Kahn, who soon became a lifelong Garcia collaborator.

grateful web

Grateful Web

May 17 at 4:52pm

grateful web

Progressive jam giants Umphrey's McGee‘s return to Las Vegas for the seventh installment of the massively popular UMBowl production was marked once again by a stand-out tour closing dual evening extravaganza where all stops were pulled out and the power given directly to the fans, for better or for worse.