Identical twins Laurie Shook (vocals, banjo, percussion and beatboxing) and Katelyn Shook (vocals, guitar and mandolin), are at the heart of the quirky folk band, Shook Twins. Rounding out the quartet is Niko Daoussis on bass/mandolin & Anna Tivel on fiddle. The Shook Twins intertwine gorgeous “twin” harmonies with an eclectic and eccentric blend of folk, roots, pop and fun. But don’t be fooled. The Shook Twins are not your average folk trio. They have a few tricks up their sleeves.

Moogfest was founded in 2004 by Moog Music Inc. in honor of the company's founder and the man whose name the festival bears, Dr. Bob Moog. Moog Music is excited to work closely with The Bob Moog Foundation, the City of Asheville, our fans and partners to make Moogfest 2013 a dynamic celebration of the innovative spirit of Bob Moog. Bob was a visionary, whose groundbreaking concepts and electronic musical instruments have forever impacted music.

‘To Dust’ is the first solo album from British soul sensation, Alice Russell since 2008’s critically acclaimed ‘Pot Of Gold,’ and marks the next step forward in her remarkable career. Whether on a big stage with her 16 piece band, charming a crowd of 4000 into staying out dancing in the rain (as she did at Montreal Jazz Festival) or rocking out an intimate club with a stripped-down six piece, Alice’s natural talent and charisma have always commanded attention and affection.

The name Perpetual Groove indicates a stylistic form for the veteran jam band. You hear the name and imagine long songs segueing through jams from one to the other. In a sense, Perpetual Groove could define many jam bands, but with PGroove, you get the name, and an assortment of various musical tastes and styles that careen from the stage like a robotic factory on overdrive.

Seventeen years ago in September, the iconic American rock band the Grateful Dead announced a well-thought but difficult decision. Without their fallen band mate Jerry Garcia, who had passed that August, they would not be able to continue touring as the band Grateful Dead. It was a tough choice to make as certain band members were divided about what should become of their future tours or even the possibility of continuing without Jerry.

I spent the better part of the year after college graduation driving around my hometown, fretting, blasting Pedro the Lion’s “Options.” The powerful, simple chords resonated within my bones and the lyrics spoke to me on an entirely different level. Control, the album that hosts “Options,” turned 10 years old recently, so David Bazan and his band hit the road to give the album the recognition it deserves.