Trusetto’s Somewhere Twice arrives as a deeply textured and emotionally resonant collection that feels simultaneously familiar and new, drawing listeners into a sonic landscape that is at once intimate and expansive. Recorded at CO Sounds Studios with the guidance of Grammy-winning producer Kevin Clock, this album showcases the band’s multifaceted approach to music, where influences collide and coexist in thrilling harmony.
The band's unique sound owes much to the diverse musical tastes of its eight members, who bring their own personal styles to the table. From the laid-back grooves of drummer Easton Tillman to the delicate yet powerful melodies of Carley Casack’s vocals and flute playing, Trusetto offers a dynamic listening experience. Casack shares vocal and flute duties with Alia Brand, her sister, whose flute work brings an added layer of warmth and interplay to the band's melodies. Their familial chemistry is palpable, fueling the band's live energy and emotional core.
Tracks like “Floating on Clouds” and “New Found Love” share in the discovery of love, self-exploration, and friendship. So many familiar emotions from our everyday lives can be found embedded in Somewhere Twice. It’s a refreshing reminder to appreciate the little moments with the people you love.
At the heart of Somewhere Twice is Trusetto’s commitment to community, collaboration, and exploration. Rather than chasing fame or commercial success, Trusetto values the act of creation and the connections formed through it. Their approach is intentional and patient, often beginning with simple, acoustic-driven ideas that evolve and expand over time as each member contributes their unique touch. In fact, the album’s songwriting process emphasizes the importance of restraint—allowing the emotional essence of each song to guide its evolution, rather than overwhelming it with extraneous additions.
Musically, Somewhere Twice is a true fusion of sounds. The horn section, featuring Nathan Nast on trumpet and Zeina Torre on saxophone, offers a fresh take on traditional brass instrumentation. The horns are not used in the typical role of a “section” but are instead woven into the fabric of the songs, creating textured layers that act like the final strokes of paint on a canvas. At times, the horns stand out, like introverts waiting for the right moment to speak up, adding depth and unexpected turns in the music. Other times, it’s the rhythm section who leads the conversation, anchored by Hank Miller’s bass and Nick Jones’s guitar, providing the steady pulse upon which the band's intricate melodies unfold.
The album’s lyrical themes reflect the band’s fascination with time, memory, and emotional depth. As the name Somewhere Twice suggests, the lyrics explore the concept of revisiting experiences—whether it’s the second day of a vacation, a repeated love, or the familiar feeling of déjà vu. The songs delve into the paradoxes of human existence, where meaning and perception collide. The lyrics are as much about the sounds of words as they are about their meaning, creating a visceral connection between the listener and the song’s emotional heart.
The album’s first single, “Remember Your Name,” beautifully embodies the theme of familiarity while simultaneously questioning it—“Do I know you?” This captivating track is a testament to Trusetto’s ability to blend deep introspection with unforgettable sound. With one of the catchiest melodies in modern rock, it’s no exaggeration to say that “Remember Your Name” is a masterpiece. The song is as soothing as it is striking, with Carley Cusack and Alia Brand’s vocals drawing you in. Their harmonies echo with both tenderness and power, leaving listeners with a sense of joy and melancholy all at once.
Tracks like “Mirrors” elevate the experience even further, taking us on a sonic journey through time and space. Its arrangements channel the influence of jazz legends like Chick Corea, yet Trusetto adds a modern twist that feels uniquely their own. The blend of old and new creates an evocative melody that’s both nostalgic and fresh, a testament to their ability to redefine musical boundaries.
The way this idea connects to the band's music, especially the structure of their songs, makes a lot of sense. It’s as if they’re saying that the second time you hear something—or the second time you experience something in life—you can find a different meaning, a deeper resonance. The first part of their songs may feel familiar, but they intentionally stray from the structure, inviting exploration and evolution in the music itself, just like how returning to a familiar place allows you to notice new things that weren’t obvious before.
One of the album's most compelling features is its ability to transform a simple verse-chorus structure into something more profound. The second half of many tracks embraces an expansive freedom, allowing the band to explore new sounds and melodies. These moments, where the music sheds its initial form, encapsulate the essence of the album—finding beauty and resonance in the familiar, yet constantly evolving, the idea that every repeat performance can offer new discoveries.
Trusetto’s Somewhere Twice is a record that demands patience and reflection. It invites the listener to settle into its sounds, just as one settles into the comfort of a second visit to a familiar place. It’s an album that feels timeless, as if it has been released “lifetime after lifetime,” as the band describes. It’s a meditation on our ability to revisit experiences, find new meaning in them, and ultimately, connect on a deeper level with ourselves and each other.
With Somewhere Twice, Trusetto has crafted a record that feels both timeless and fresh, a powerful blend of community, creativity, and introspection that will leave listeners wanting to return to its world time and time again.
So dive-in and be sure to ask yourself - What do you find being somewhere twice?
