On her first new album in five years, North Carolina’s Valorie Miller writes about one of the most beautiful pieces of land near Asheville, North Carolina — but not in the way you might expect. The narrative of her new album, Only The Killer Would Know, out May 6 via Blackbird Record Label / Indie AM Gold, emerged after Miller discovered that her acre of land in Swannanoa sat adjacent to, if not in the middle of, a hazardous waste area overseen by the government. Miller experienced health issues that led her to eventually leave the property. Only later, by talking to her former neighbors and doing her own research, did she discover it was a “superfund” site, so named because of the massive cost necessary to clean up the mess left by irresponsible corporations (in this case, a company called Chemtronics that manufactured weaponry and explosives).
Today, Miller shares the video for "Home of the Brave" via Popmatters. Shot on location in North Carolina, the visuals and lyrics juxtapose the beauty of the land against the toxic secrets hidden below. “Here in the mountains so green, it’s deceiving / You’d almost believe it’s a Garden of Eden,” she sings. “Somebody sold you thoughts that you’re thinking / And left a trace in the water you’re drinking.” The video shows Valorie sitting at her kitchen table with a massive document about the Chemtronics site, along with articles, maps, and graphs that she acquired through her research. It’s a fitting visual, considering the album title.
WATCH THE VIDEO FOR "HOME OF THE BRAVE" HERE and PRE-SAVE HERE
PRE-ORDER ONLY THE KILLER WOULD KNOW HERE
lIt’s a big, scary, horrible subject, and a lot of these songs grew out of that," Miller told Popmatters. "There’s not much you can do about those places. They will be toxic for our lifetime and for lifetimes to come. Writing a song is always how I’ve addressed things in my life, but I’ve never had an inspiration quite like this.”
Over the album’s nine songs, Miller’s spare arrangements, haunting, ethereal vocals (think Mazzy Star) and riveting eco-narratives are a genre unto themselves and tell a story that in some ways is all too familiar, yet entirely original. Unraveling the true story of her beloved acre of land – and the toxicity that lay below — is what led to the album’s title.
“You hear that term in detective shows, when somebody has insider information,” she says. “With Only The Killer Would Know, the ‘killer’ refers to the people who dump that stuff in the ground. And by researching all of that, I'm the detective,” she says. “To help find the killer, or the person responsible, the investigator has to know certain details that no one else could possibly know. In this case, the information is readily available, but nobody's looking except for me. I know all of this weird stuff about that place. Meanwhile, in this entire community, practically nobody is even aware that that place is there.”
Recorded in Asheville with rising producer Kayla Zuskin, the album begins with “Apocalachia,” with wrenching lyrics that confront the situation head-on. “Field of Flowers” then offers a poignant message about growth and accountability, especially when it comes to how we treat the earth, with Miller gently advising, “leave the flowers in the ground.”
“I think that the record definitely embodies a relationship between people and nature, whether it’s a toxic one or a healthy one,” she says. “I’ve been forced to become an environmentalist because of Chemtronics, but I’ve always loved nature and I’ve done a lot of camping and living in places that were very rural. But I’ve never had any kind of activist history, and I don’t consider myself an activist now, unless it’s through my art and talking about this subject.”
Some of that eerie, dreamlike vibe seeps into the later songs on Only The Killer Would Know, due to the innovative Asheville musicians that Zuskin brought into the sessions. In the studio with a female producer for the first time, Miller describes the whole experience as “shockingly relaxing.”
Miller has lived in Asheville for decades now. Born in Durham, NC, she learned to play guitar around third grade, using a guidebook while immobilized in leg casts after knee surgery. After college in Colorado, she kicked around the state for a few years, living in her truck or in shacks with no electricity or running water. In time, she returned to North Carolina and took a job at a camp near Asheville for juvenile delinquents. When she later married, she moved to a 60-acre farm in nearby Madison County.
One day, a friend visiting the farm heard Miller playing guitar and singing, then persistently encouraged her to pursue an emerging artist grant from the state. Much to her surprise, Miller received the grant. “And when I got it, I was actually kind of horrified, like, ‘Oh no, now what do I do?’” she recalls. “So, the whole thing developed on a whim. But that grant was enough to shoe me into a life in music, then I just kept going.”
Leaving the farm and the marriage, Miller moved to downtown Asheville and started playing songwriter nights in the ‘90s. She made her first album, on cassette, at 29 years old. Although she could already sing harmony, Miller taught herself to play bass and toured the country with her boyfriend at the time, Malcolm Holcomb. However, they broke up just before Miller moved to her property in the Swannanoa.
“Before this album, I’ve always gone in the studio and tried to figure it out with barely any money. That can hold you back in certain ways, especially if you’re nervous and unsure about the people you’re working with,” she says. “It’s a huge relief to make this album. I've always wanted to make a record that I really like from start to finish, and I’m so glad that it happened. I'm a late bloomer, I think.
TRACKLISTING
1. Apocalachia
2. Field Of Flowers
3. Home Of The Brave
4. Not For Nuthin
5. Only The Killer
6. Orbit
7. Pearl Choker
8. Welcome To Lonesome
9. Your Own Well
