Tipitina’s Record Club – an exclusive subscription service from Tipitina’s, the legendary New Orleans nightclub owned and operated by Galactic – is honoring the one and only Dr. John with Solo Piano Live In New Orleans 1984, a previously unreleased concert recording available now at all DSPs and on 180-gram custom-colored vinyl at all physical retailers.

BMG and The Montreux Jazz Festival releases “Dr. John: The Montreux Years” – out now in multi-format configurations including superior audiophile heavyweight vinyl, high-quality CD and HD digital. The brand-new release in the Montreux Years series is a collection of Dr. John’s finest performances at the Montreux Jazz Festival between 1986 to 2012. To celebrate the new record BMG and Montreux have shared a rare live performance of Dr.

BMG and The Montreux Jazz Festival have today released a brand-new live recording of ‘Stack-A-Lee’ from musical legend Dr. John. The track is taken from Dr. John’s performance at the 1986 Montreux Jazz Festival in Switzerland and appears on the upcoming record “Dr. John: The Montreux Years”, available from Friday 02 June.

BMG and The Montreux Jazz Festival have today announced the release of Dr. John: The Montreux Years – Friday, June 2, 2023 and available to pre-order now. The brand-new release in the Montreux Years series is a collection of Dr. John’s finest performances at the Montreux Jazz Festival between 1986 to 2012. Beautifully restored and mastered, Dr. John: The Montreux Years will be available in multi-format configurations including superior audiophile heavyweight vinyl, high-quality CD and HD digital.

TAKE ME TO THE RIVER NEW ORLEANS, which celebrates the rich musical history, the heritage, legacy, and influence of New Orleans and Louisiana music through live sessions with local artists, will be released digitally on iTunes, GooglePlay, Amazon and more beginning on February 3rd,  just ahead of the 65th GRAMMY Awards, it was announced today by Director/ Producer Martin Shore.  The film and soundtrack feature the GRAMMY nominated song “Stompin’ Ground,” a collaboration between Aaron Neville and The Dirty Dozen Brass Band and produced by Martin Shore and Eric Krasno.  The son

Today Petaluma Records released Dr. John and Davell Crawford’s “Jock-A-Mo” video, one of Dr. John’s last studio sessions. The clip is taken from Take Me To The River: New Orleans, a new album and feature documentary film feature new recordings from The Neville Brothers, PJ Morton, Big Freedia, G-Eazy, Christian Scott aTunde Adjuah, Snoop Dogg, Dirty Dozen Brass Band, William Bell, Ani DiFranco, Donald Harrison, Galactic, Irma Thoma, Ledisi, and many more.

Today Petaluma Records announced an April 1st release date for the soundtrack to Take Me To The River: New Orleans — a forthcoming feature documentary film celebrating the undeniable musical history, heritage, legacy, culture, and influence of New Orleans and Louisiana.

Joe Russo’s Almost Dead took the stage in New Haven, Connecticut on May 29th, 2021 for the second night of a sold out run at the brand-new Westville Music Bowl, and left fans feeling that euphoric feeling they had forgotten in the fifteen months since their last live show because of the Covid pandemic. This was all despite a furious wind, unseasonably cool temperatures and rain on Memorial Day weekend.

One of the most critically-acclaimed – but limited released - albums of the past decade, Tick Tock Tick, the soul-drenched roots disc from San Francisco-based singer Will Porter, will be reissued on the Gramofono Sound label April 16 to audiences throughout North America. Recorded at Esplanade Studios, Tick Tock Tick also showcases stellar work from a host of additional Crescent City titans and SF Bay Area horns.

After years of Wrecking Crew-grade session musicianship around Los Angeles, Malcolm John Rebbenack carved his own niche by the late 1960s with a distinct blend of psychedelic rock, boogie-woogie, and rhythm & blues. Taking the stage name Dr. John, the Night Tripper (later shortened to Dr. John), he developed a cult following with his music, heavily influenced by his home of New Orleans, and fascination with the voodoo religion which was reflected in his elaborate stage shows.