November 2012

One of the more humorous developing attitudes of newer bluegrass acts is that they don’t like applying the label “bluegrass”. Though their instrumentation, song selection, and style all point to an existing form. The trend seems to be that up-and-comings feel marginalized by being cornered into accepting the label. In certain ways I understand this fear. Donning the title of a “bluegrass” band makes its musicians pressured into accepting a certain catalogue of songs and a limiting context in which they can expand and improvise their instrumentals.

Beats Antique brings us a new 8 track EP bursting with many styles of world music and theatrical composition, its impossible not to get into it.  Beats Antique was formed in San Francisco, California and in 2007 created their first album.Beats Antique's music can’t be classified to one genre.  The track The Allure gives off a spooky vibe.  Like it should be in a haunted house frightening children on All Hall

The Louis Armstrong House Museum Gala will be held on Tuesday, December 4, 2012 at the Manhattan Penthouse, 80
Fifth Avenue, New York, NY 10011. The cocktail hour begins at 6:00 pm; dinner and the awards ceremony follow at 7:15 pm featuring a special performance by David Ostwald’s Louis Armstrong Centennial Band.

Brooklyn, NY based EDM record label Brooklyn Fire, and New York, NY based entertainment marketing & PR firm UG Strategies, in collaboration with Live Nation and New York, NY based GBH Events, are proud to announce “EDM For Sandy Relief,” a benefit concert for The American Red Cross and Hurricane Sandy victims, in association with SOL REPUBLIC.

Brooklyn’s beloved They Might Be Giants continue to create their own way. For many years the band has made a tradition of creating special sale packages for holiday gift giving.

Normally, we'd say it's safer to stay at home on Black Friday. But since it also happens to be Record Store Day and we've got a prime selection from WINTERLAND 5/30/71 being released for the first time ever and it'll be on 180-gram vinyl as a limited edition double-LP set of 7500 copies, well, we strongly endorse heading out to your local mom-n-pop shop. Sourced from the original reels of 1/4" tape, WINTERLAND 5/30/71 was mastered by Jeffrey Norman, the vinyl lacquers were cut by Chris Bellman at Bernie Grundman Mastering and then pressed at RTI.