In the 90s, San Diego's Mission Bay was the epicenter of summer music, hosting legendary events like The Mission Bay Summer Concert Series, Vans Warped Tour, X-Games, MTV's "Rock the Vote," and the OMBAC Coming Out Party.

Goose descended on Saratoga Springs, NY, for a two-night stand at the Saratoga Performing Arts Center, which is surrounded by lush greenery and a sprawling state park that includes hot springs. The band was sufficiently warmed up after playing in Holmdel, NJ, and Boston, MA, earlier in the week. The Connecticut-based indie groove quintet certainly crushed night one with several rarely played covers and an original, all within their home stomping grounds.

On this September 9th, 2024, we at Grateful Web pause to remember the legacy of Otis Redding, a soul whose voice carried the weight of a thousand dreams, whose music struck at the very heart of human experience. Born in Dawson, Georgia, in 1941, Redding carved out a path that led him from the deep South to the world’s stage, leaving behind a body of work that is nothing short of transcendent. His sound—a mixture of raw emotion, sweat-soaked rhythms, and a voice so powerful it seemed to tremble the earth—became a force that no one could ignore.

Today, Columbia Records and Legacy Recordings, the catalog division of Sony Music Entertainment, have shared “Just Like Tom Thumb’s Blues” (Live at Madison Square Garden, New York City, NY - January 30, 1974) from Bob Dylan and The Band.

A reminder that this is the final advance track from The 1974 Live Recordings - a collection featuring every professionally recorded show from Bob Dylan’s 1974 arena tour with The Band (at the time, his first tour in eight years) - which is out soon on September 20.

Psychedelic funk pioneers Lettuce have teamed up with nugs.net to launch Lettuce Live, a brand-new subscription-based platform that will house exclusive on-demand audio and video concert footage, showcasing the band where they shine the most—the live performance setting in front of their fans. Over the course of their three-decade career, the band has built a reputation for constant evolution, electrifying improvisation, and fostering tight-knit musical brotherhoods and fan communities.

Throughout the latter half of the seventies, Joni Mitchell continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other.

BeachLife Festival organizers announce a new concert coming to Southern California this fall with BeachLife Nights. Taking place Friday, October 18 and Saturday, October 19 in Redondo Beach, BeachLife Nights will showcase live music by Michael Franti & Spearhead, Iration, SOJA, Fortunate Youth, The English Beat, Donavon Frankenreiter, Anuhea, The Rookie5, and more. Additionally, Michelin-starred chef Curtis Stone will host a VIP barbecue tasting behind the main stage each night.

Today, the legendary jazz group The Bad Plus announces an extensive fall/winter tour in support of their upcoming album Complex Emotions out November 8 via Mack Avenue Records. The tour will include their annual four-night residency at the Dakota in their hometown of Minneapolis and five nights at New York City’s famed Birdland Jazz Club.

September 22, 2024, marks a new chapter for the roots rock country band formerly known as Mike and the Moonpies. Now rebranded as Silverada, the group is set to perform at The Oriental Theater in Denver, CO, in celebration of their latest, boldest release yet—Silverada. Fans will witness the evolution of a band that’s taken their sound from the Texas honky-tonk scene to the world’s stages, culminating in a fresh name and a daring musical direction.

The Deslondes will return with Roll It Out via New West Records. The 13-song set was produced by Andrija Tokic & The Deslondes and was recorded at the Bombshelter in East Nashville, TN. Roll It Out is their first album with new drummer Howe Pearson (previously a touring member for Hurray for the Riff Raff) and also features guest vocals by Twain (Mat Davidson) and horn arrangements by Tuba Skinny.