Artists
Some of the most notable names in folk, Americana, and roots music history and their family members will attend the inaugural induction ceremony at the Folk Americana Roots Hall of Fame (FARHOF), Boston’s living music museum, inside the Boch Center Wang Theatre. Set for April 19 and 20, the Induction Ceremony weekend will include award presentations, live performances, tours, podcasts, interviews and more celebrating folk, Americana, and roots music. The events are not open to the public.
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Today, Calling All Crows, a nonprofit organization that connects and mobilizes music fans to join feminist movements for justice and equality, announces three new initiatives in celebration of Women's History Month this month. Additionally, Calling All Crows will continue to be present at select shows of Mitski's U.S. tour to provide information and resources about their Here For The Music program, which fights against sexual violence and aims to build safety at shows and festivals across the country.
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#iVoted Concerts is back for what is sure to be a very busy 2024 election year. To celebrate, the non-partisan non-profit has partnered with Propeller for fans to take action and score tickets to Madison and Milwaukee concerts courtesy of FPC Live, The Pabst Theatre Group and Nō Studios. The public can do so by submitting a selfie from outside their polling place or at home with a blank & unmarked ballot. Future voters can score tickets by sharing what election they will be 18 for.
Acclaimed Cajun musician and historian Ann Savoy will release Another Heart on April 19th on Smithsonian Folkways. Savoy has made her name as a leading Cajun musician with the Savoy-Doucet Cajun Band, Magnolia Sisters and more, and as a historian, digging deep into the traditions of Cajun life through more than 40 albums, thousands of concerts in dozens of countries, and definitive books, including Cajun Music: A Reflection of a People.
East Los Angeles' lauded band Las Cafeteras produces their third full-length studio album, A Night In Nepantla, featuring a synth-laden fusion of traditional Mexican folk and electronic dance beats for fans of Latinx music to enjoy. Las Cafeteras enlists an array of celebrated collaborators and producers to masterfully share their stories of longing and love while putting the spotlight on pressing issues affecting their communities.
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Though it has all the trappings and spirit of a well-worn bootlegging story of corn liquor and moonshiners (think “Mountain Dew,” “White Lightning” or “Dooley”), Darren Nicholson’s first single of the new year digs a little deeper than its upbeat, elemental bluegrass feel might at first suggest.
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Jason Roberts and John Michael Whitby have logged decades playing in legendary western swing bands and with some of country music’s biggest stars. Kyle Park recently released his seventh studio album during an impressive solo career that regularly earns him No. 1s on Texas music charts. After a few years of performing together informally, the long-time friends have decided to join forces as The Texas Trio. They will release their self-titled debut album on May 17.
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Today, The Rock and Roll Playhouse proudly presents its anxiously awaited debut album, FRIENDS ROCK!, out now via Republic Records: Kids & Family. It notably marks the first full-length body of work from the #1 Kids Live Concert Series in the U.S.!
Listen HERE.
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Sixthman, the leader in festivals and music cruises for more than two decades, has announced the 17th sailing of its renowned Cayamo: A Journey Through Song, a seven-night musical adventure traveling February 28-March 7, 2025 from Miami, FL to St. Croix, US Virgin Islands and St. John’s, Antigua aboard the luxurious Norwegian Gem. First Round Pre-sale Signups are available now through March 20 at 11:59 pm (ET). Pre-sales for Cayamo Alumni will be available March 19-21; New Guest Pre-sales are available March 22.
Coming May 3, 2024, this new album coming from anarcho labels PM Press and Free Dirt Records resurrects the lost history of the Wobblies' labor battles during the Spokane Free Speech fights of 1909. Surrounded by strike-busting Salvation Army bands paid for by the bosses, the International Workers of the World nicknamed them "Starvation Army" bands and fought back with their own IWW Brass Band. Lampooning and satirizing the religious imagery and jingoism of the scabs in the Salvation Army, the IWW Brass Band's songs would set the template for using folk song as a form of protest.
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