GRAMMY-nominated artist Joe Troop’s new album is coming August 20 on Free Dirt Records and Rolling Stone has the premiere on his first music video for the album. It’s for his song “Mercy for Migrants,” featuring roots music stars Béla Fleck & Abigail Washburn. The song is Troop’s plea for empathy for those trying to cross the US border searching for a better life.
With a new president, vaccines rolling out, and massive cultural changes underway, most of us are looking for a moment just to breathe. But not Joe Troop. As the GRAMMY-nominated bandleader for Che Apalache, Troop didn’t stop even for a second as COVID ravaged a whole year’s worth of performance dates. Instead he took to the rural roads of North Carolina and the American South, pushing to get out the vote among rural progressives and interviewing those most affected by Trump’s horrific policies.
For the first time in Flecktones history, both Jeff Coffin and Howard Levy will be in the group for a special show at the the inaugural Béla Fleck & The Flecktones: Friends & Family on May 30 at Red Rocks Amphitheatre. Coffin, the former Flecktones’ woodwind player and current member of the Dave Matthews Band, will be performing with the band for the first time in a decade.
Béla Fleck, Abigail Washburn and renowned dance troupe Pilobolus have created their own timely ghost story by pairing two songs off their latest album, Echo in the Valley (Rounder), “Come All You Coal Miners” by Appalachian ballad singer, Sarah Ogan Gunning and the duo’s own “Take Me to Harlan.”
To return to a point in your life that you have already lived is metaphysical. Déjà vu, as most of us call it, feels mystical, even if it has a chemical explanation. Scientific evidence aside, to relive something that you have lived before is an experience that seems to connect us with something beyond ourselves. We can both be in the moment and be able to predict (or at least have the feeling that we are predicting) what is coming around the next corner. But to experience déjà vu and to be able to improve upon the actions that once were? Now that is something different altogether.
We are excited to announce Abigail Washburn will debut her first theatrical work, Post-American Girl, at Joe’s Pub at The Public Theater March 28 – 30 as part of New York Voices, the venue’s popular commission series designed to help musicians make the leap from songwriting and performance to theatrical production. Washburn’s new stage piece is about an American girl coming-of-age in a swiftly changing global order.
On Sunday, most of the city slinked out of bed with a “careless whisper” and just enough gas left in the tank for one more day. Fans flocked to the Louisville village where they could hair-the-dog at the Kentucky Bourbon tent with some Woodford Reserve and then roll over Starboard Stage where Moon Taxi was gearing up to go.
"Tennessee, Tennessee, there ain't no place I'd rather be, Baby, won't you carry me back to Tennessee." As I packed up the car and prepared for my road trip, I couldn't shake the lyrics of 'Tennessee Jed' off my mind. Chicago, IL to Manchester, TN – 534 miles. This was going to be my triumphant return to the festival I had grown to love in its first three years, but hadn't been able to get back to since 2004. Bonnaroo, for some, is the pinnacle of music festivals across the nation