I remember watching Asleep at the Wheel’s “Hot Rod Lincoln” on CMT with my Dad, back in the Eighties. Thirty plus years later, I had the rare treat of watching this ten-time Grammy winning band perform it live at the Boulder Theater. No need to rely on big stage glam or overcompensating back-up singers, Ray Benson sounded as robust as ever! His deep voice reverberated throughout the room, perfectly complemented by the rest of the band.

Little Feat is the classic example of a fusion of many styles and musical genres made into something utterly distinctive.  Their brilliant  musicianship transcends boundaries, uniting California rock, funk, folk, jazz, country, rockabilly, and New Orleans swamp boogie into a rich gumbo, that has been leading people in joyful dance ever since.

Friday night, Les Claypool brought his dastardly creation Bastard Jazz to Boulder Theater and for the lucky 850 who got tickets to the sold-out show, many left the building awe struck, jaw dropped, and looking for more.

Listening to The Milk Carton Kids -- Joey Ryan and Kenneth Pattengale -- talk about their creative process, it’s easy to imagine them running in opposite directions even while yoked together. “Joey and I famously have an adversarial relationship,” Pattengale says. They dig at each other in interviews and on stage, where Ryan plays his own straight man, while Pattengale tunes his guitar. The songs emerge somewhere in the silences and the struggle between their sensibilities. They have been known to argue over song choices.

Deftly navigating the confluence of prog rock, livetronica, jazz, & jam, Papadosio’s appeal as a crossover act has amassed a rabid fan base across North America. Thanks to a steady stream of innovative albums, they’ve seen a decade and a half of consistent touring with hundreds of live recordings at the fingertips of every follower. Their allure’s led to co-presenting massive events such as Resonance, Secret Dreams, Summer SEEquence, and Subterranea Festival, plus headline plays at the legendary Red Rocks Amphitheatre.

Victor Wooten is a 5-time Grammy Award winner and a founding member of the supergroup Béla Fleck and the Flecktones. He has been called the most influential bassist of the last 2 decades and was listed as one of the Top Ten Bassists of All Time by Rolling Stone Magazine. Wooten was also the winner of Bass Player Magazine's reader poll 3 times and remains the only person to have won it more than once. Having released multiple solo recordings, he is also the author of the widely read novel The Music Lesson: A Spiritual Search for Growth Through Music.

Widely regarded as one of the foremost songwriters of her generation, Suzanne Vega’s latest album, An Evening of New York Songs and Stories, is out now via Amanuensis/Cooking Vinyl. “I recorded these songs at the Café Carlyle in New York City,” Vega says of the album. “It’s a small, exclusive club that has hosted legends from Eartha Kitt to Judy Collins, and is also known to be the place where Jackie Kennedy met Audrey Hepburn. I love it for its bohemian old-world glamour!

Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon.

Join us for an evening celebrating the life and music of Michael Tiernan “Mikee T”, who was an incredibly talented musician, touring with The Motet for many years, and with his own bands, The Peaceful Warriors, Jersey Fresh, and 42 Main Street Delicatessen Band, among others. This concert was put together to honor his music and to raise funds for his son, Kinsman Tiernan. Kinsman is an aspiring musician who has played the drums since before he could even walk. Kinsman wants to study music and engineering in college.