The relief show lineup includes: Anders Osborne, Dave Watts, Ryan Jalbert, Joey Porter, Garrett Sayers, Gabriel Mervine, Drew Sayers, Lyle Divinsky (of The Motet), Andy Hall, Chris Pandolfi, and Jeremy Garrett (of the Infamous Stringdusters), Kevin Donohue, Josh Fairman, and Chris Anderson (of Sunsquabi), Eddie Roberts (New Mastersounds), One Flew West.

BOULDER THEATER

A haunting sound, at once evocative and mysterious, ushers in Petals, the latest album by Elephant Revival. Notes rise and suffuse the silence; are joined by a deep bass drone, a quiet pulse of cello and a percussive tick: daybreak made music.

ABOUT TRACE BUNDY Internationally-acclaimed guitar virtuoso Trace Bundy must be seen to be believed, using harmonics, looping, and multiple capos to confound even the most accomplished music lovers as to how one person can do all that with just two hands and ten fingers. Trace's witty banter and stage presence delivers an unforgettable live concert experience.

Phish bassist Mike Gordon returns to the road with his band this fall. Unlike previous projects, the goal was to put together a band that would be in it for the long haul. Guitarist and longtime collaborator Scott Murawski and Mike searched the nooks and crannies of this land for players to complete the outfit. Scott can rip guitar to no end, and he belts out with the kind of voice that at once sounds like your best friend and like the deep backwoods soul and grit of a true American hobo hero, too cool to talk in normal small-talk.

The Wailin’ Jennys are Nicky Mehta, Ruth Moody and Heather Masse three distinct voices that together make an achingly perfect vocal sound.

This is the third release by husband-and-wife duo of guitarist Chris Masterson and string player Eleanor Whitmore, described as “Tift Merritt fronting the Jayhawks” (Esquire Magazine).  Written on the road, usually during late-night sessions, Transient Lullaby is darker than their previous two album and has a wistful, longing feel. Musically, it’s rich with intoxicating harmonies that float above Whitmore’s stirring string arrangements and Masterson’s adroit guitar work, but it

Never before had an audience seemed so intrigued by set break music than at GD50, when Circles Around the Sun began streaming through the sound system.  The album, titled Interludes for the Dead, was a piece of music created specifically for that very occasion, the once in a lifetime reunion of the remaining members of the Grateful Dead.