GW: This is Dylan Muhlberg of Grateful Web. I am joined by legendary music photographer Bob Minkin. Bob’s eye for capturing the perfect moment reveals his subjects with unparalleled intimacy. As a teenager of the mid-1970s, Bob began following the Grateful Dead extensively after a nearly two yearlong hiatus from touring. His tact and respect got him closer to the band than any photographer before him.

The Grateful Dead's 50th anniversary celebration just got a whole lot more cinematic! Film legend Martin Scorsese is set to executive produce an as-yet-untitled film featuring never-before-seen performances and backstage footage, as well as new interviews with Bob Weir, Phil Lesh, Bill Kreutzmann, Mickey Hart and more. Read more here.

How many more Dead tribute bands does the scene really need? There’s truly already plenty out there. Even if the music is structured to be boundless and open for continuation, it seems like bands could better serve the music with an improvisational spirit, but playing originals instead of Dead covers. Indeed it takes a special group of musicians who understand the music inside out and have the ability to diversify the extensive catalogue instead of simply parroting it.

Grateful Web recently got the chance to chat with veteran music business multi-tasker and author Dennis McNally. His third book, On Highway 61: Music, Race and the Evolution of Cultural Freedom explores the significance of African-American music in the evolution of cultural freedom by examining the historical context and deeper roots of mainstream American’s cultural and musical progression.

With Standing on the Moon, The Rex Foundation looks forward to an exceptional night of music with our annual return to the historic Fillmore Auditorium. Set up in festive cabaret style with reserved seating on the floor, The Fillmore, with its beauty and iconic connection to the Grateful Dead, sets the stage for this special occasion.  At the pre-concert reception, enjoy hearty finger foods and beverages as you reconnect with friends and family.

The fourth and final Dave's Picks release of 2014 heeds the long awaited call for one of the best shows of the coveted year of 1977. A top candidate for release for many years, Grateful Dead archivist extraordinaire Dick Latvala wrote of 11/4/77, "this show must have destroyed everyone's mind, with the unique material ("Dupree's Diamond Blues" & "Aiko Aiko") and great performance.