Somewhere in the mists of the early 1970s, a prog-rock enthusiast I rubbed musical elbows with for a brief time used to frequent an import record shop here in Cincinnati. In this enticing, below-street-level section of a multi-level downtown bookstore, he would find and retrieve pirate’s gold in the form of albums from emerging British and Euro prog-rock artists. Quite often, they were ones that the adventurous local underground FM rock station had somehow overlooked. Of course, he was also surely reading the British music papers for his inside track.