Reviews

There is a lot going on in Trace Bundy's newest studio release, "Elephant King." Fans of Bundy should instantly recognize his signature style, laced with looping harmonies, percussion on the guitar body, and complex music theories and melodies that could only come from him.

Trevor Robbins’ solo project, Lowlander, is a Folk infused singer/song writer’s safe haven.  In his self-released album “Criminal Mischief”, Robbins’ soft howl steals away like a reverb wind into the western hillside. The acoustic landscape of this album has rich finger-picked textures which blend warmly with Robbins’ dusty, melodic voice.

Mysterium Tremendum, the latest release from the Mickey Hart Band, has the former Grateful Dead drummer digging yet deeper into his ever-expanding knowledge and love of sound for another fine record. Hart’s merry band of musicians plays along to sound waves transformed from electromagnetic radiation given off by the sun, planets, stars and galaxies.

Dot Hacker, the experimental rock band based in Los Angeles, California was formed in 2008 by Josh KlinghofferKlinghoffer, Clint Walsh and Eric Gardner were all previously members of the touring incarnation of Gnarls Barkley, and were subsequently joined by Hella bassist Jonathan Hischke to record the much-anticipated “I

Baptized in Folk tradition and based in Colorado since 1989, Reed Foehl (pronounced Faille) has a soulful voice with a body of work that offers communion to a Folk congregation whose apostles have names like Guthrie and Dylan.This April 13th, Reed Foehl debuted his forth-coming album, Color Me In, at Swallow Hill

It was all Scarlet Begonias, a touch of the blues, and a whole lot of funk and soul last night at the Boulder Theater. The Motet was back in town for an encore performance of their "Funk is Dead Show." They were in Boulder for the Halloween show last October and it just wasn't enough to last us another full year.

Charles Manson, Jim Jones, and David Koresh typically represent the idea of cults in America. Among the indie scene however, the word “cult” is gradually making an association with pop vocals and keyboard melodies entrenched in a darker noise rock thanks to the New York group, CULTS.

Heading to The Paradise, I’d never seen RJD2 live. No, like many of my fellows, my experience with the artist had been restricted to lone headphone listens of his dusty-funk compilations. And, to be honest, I thought that was good enough. Foolish me.Fresh Produce opened the night up with a solid introductory set, blending club standards and old school discotheque relics into an increasingly energetic mix.

Seeking refuge from a brisk and windy San Francisco evening, hirsute hippies and mustachioed hipsters file into the Connecticut Yankee for a special performance by jam band collective Secret Chimp.  Ironically enough, the Connecticut Yankee, which has undergone a plethora of name changes and facelifts since it first opened in 1907 as “Hilda’s Saloon,” is in fact a loyal municipality of Red Sox Nation. Go figure!

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