It is such a gem that the large family of bluegrass music still has the likes of Del McCoury around. And simply declaring that Del is “still around” is a gross understatement. More accurately would be acknowledging his linage and persona as being at a career-high peak moment. Not only has classic bluegrass music had resurgence in popularity over the last twenty years, but also many of the oldies of the genre are still hashing out quality work.

This was a night to be excited about. The night was filled with two heavy hitting, classic, amazingly talented bands. I was even thrilled to be going to the Paramount Theater in Denver to see this show because this underrated venue just does not have the caliber shows that it deserves. Every time I go there I am reminded by how magnificent it is. It was the perfect place for these two power houses to take the stage.

With his upcoming album SEVEN, the critically acclaimed electronic artist DJ CAM serves up his most personal work since 2001’s acclaimed Soulshine.

“This is as good a record as I’ve ever made,” Willie Nile says of his new release The Innocent Ones. That’s saying a lot, considering the amount of indispensable music that the tenacious New Yorker has produced over his long and eventful career. The CD, which long eluded the American market except as an import and the odd merch table, has a U.S. brick-and-mortar street date of November 22, 2011.
 

Moogfest, the annual festival celebrating the vision of sonic pioneer Bob Moog, happening October 28-30 in Asheville, NC