A grand celebratory sendoff to the 50th anniversary of San Francisco’s psychedelic music scene of 1967 took place at one of its once and forever epicenters, The Fillmore, on December 9. Featuring about 30 prominent Bay Area performers of today and yesterday, the commemorative event righteously celebrated that important stretch of time through which poetry, rock ‘n’ roll, cross-cultural awareness, and an anti-establishment penchant to question authority challenged traditional America’s consciousness.

One of the most anticipated jazz events of 2017 was The Meeting of The Spirits tour, a co-billing of celebrated fusion icon John McLaughlin & The 4th Dimension with the astoundingly diverse Jimmy Herring and The Invisible Whip. Though the two guitarists/bandleaders spawned from different generations and backgrounds, their affinity for bringing exploratory styles including Indian Classical Music, Spanish guitar, funk, and blues, are an ever-bonding force.

Did I say one? Better make it two. While Dead & Company trounced Dallas this past Friday with a meaty rocker of a show, Saturday night in Austin received a more deliberate performance befitting the band’s early era of improvised exploration. Which was better? Well, that depends on the opinion of the most opinionated fans in music. But we can all agree that for one weekend there was a seventh flag flying over Texas: the Freak Flag.

It was a spare crowd that greeted the band when they took the stage to play “Shakedown Street” but it grew pretty quickly. It seemed to me that a hundred people even on the last day of November was a fairly low turnout. Ashland is invariably a “slow show” crowd and soon afterward there was at least a couple hundred. They were treated to a show that was also a slow burner.

While the multi-talented Karl Denson has been known to structure his Tiny Universe performances as an opportunity to pay homage to an impressively diverse array of artists, nothing prepared his devoted fans for the announcement of an Allman Brothers Band tribute. When the boisterous bandleader isn’t on the road with the Rolling Stones as their full-time saxophonist, or continually collaborating with Phil Lesh & Friends, he’s primarily focused on his accomplished solo-career.

The tenth date into their fall tour, Dead and Company played to a full house in Detroit at the newly opened Little Caesars Arena. The audiences were both longtime deadheads, and interestingly new fans that have come as a result of being John Mayer fans. Or simply new fans getting tuned in to the Dead only recently.

Jam Veteran Melvin Seals is generally acknowledged as the keeper of the flame for continuing the music of Jerry Garcia Band. The organist/keyboardist met Garcia thru his friend Merl Saunders in the early 1980s. Garcia was struck not only by Seals sheer talent and soul but that he was separate from the whole Grateful Dead world. In fact, as a man of the church, he was only marginally familiar with the Dead and Garcia.

All in the name of Music Heals International’s core mission to expand residents’ ability to make music in Haiti, Lukas Nelson headlined a humdinger of a benefit inside the Sweetwater Music Hall in Mill Valley, California on November 21.

Just in time for Record Store Day on November 22nd, a truly under-sung live masterpiece is to be re-released. Many fans know of Jerry Garcia & Howard Wales 1970 memorizing fusion studio album Hooteroll?, which was notable (aside from the inspired flowing free-jazz) as Garcia’s first studio recording outside of the Grateful Dead since the band’s inception. Indeed Garcia saw something remarkable about Wales playing.

On the third and final day of this year's Fest Forums in Santa Barbara a small army of celebrities turned up for the celebration. It was a full day of films, lectures, food, wine tasting, and great live music. The morning got off to a sleepy start as vendors began closing the exhibit hall and the early birds to the convention sipped coffee and ate fresh fruit and pastries.