Greg Loiacono has made his living putting out music under a number of more recognizable names than his own, but a few weeks ago came his first full length solo LP titled Songs From A Golden Dream.

Bob Weir’s latest album ‘Blue Mountain’ inspired the Campfire Tour which came to the Wiltern Theater on the 10th of October. The packed venue was entertained with Bob performing solo, three songs against projected images of the Dust Bowl era, (including 2 of his new tracks (KC Moan, Blue Mountain and a lovely Loose Lucy).  The rest of the band came on stage to support him, which included notable performers Steve Kimock from RatDog, Matt Berninger, Bryan and Scott Devendorf (all from The National), Jon Shaw and Shakey Graves.

Bob Weir was quite literally born and bred in music. The adopted son of loving parents Frederic Utter and Eleanor Cramer Weir, his identity would deepen and develop in his youth. Though his parents did their best (Mama Tried) Weir’s nature was rebellious and questioning. His dyslexia didn’t help matters. In his teens, Weir was shipped off from his birthplace of San Francisco to Fountain Valley School in Colorado Springs, Colorado where hopes were that he would straighten out.

“Never trust a prankster,” a motto of the Acid Test-producing Merry Pranksters back in the 1960s, was apropos on Friday, at Bob Weir’s inaugural Campfire Tour show in San Rafael, California. In support of Weir’s new countrified, ballad-heavy album, “Blue Mountain,” all signs pointed to a live show in which Weir’s new band would mosey on through a series of sparse, slow-paced odes.

On Oct. 6, I got to be witness to a stellar show that highlighted two up and coming “jam bands”. Both TAUK and Earphorik showcased why they should be considered the next in the line of must-see, must-hear live bands that are part of the “jam” scene.

While art will always be a progressive process and reflect the changes of the people in our evolving world, some things are best kept preserved. Music is the perfect example of this. Progressive Rock, Jazz Fusion, Post Punk, New Wave, an echo of the culture and climate that influenced these musicians.

On Oct. 4, 2016, I had the opportunity to catch Dark Star Orchestra in concert at the Lafayette Theater in Lafayette, IN. The experience was interesting, to say the very least.

Ashville’s The Get Right Band has released their 3rd LP, Who’s In Charge?, through legendary Echo Mountain Studios (Widespread Panic, Smashing Pumpkins), and has been engineered, mixed, and co-produced by Julian Dreyer (The Avett Brothers), and was mastered by six-time Grammy winner Brian Lucey (The Black Keys, Grace Potter, Dr.

STS9 released their 6^th studio album, The Universe Inside, on their homegrown label 1320 Mission Control on September 2, 2016, and it represents their first such release since Ad Explorata was released in 2009.  This would also be the first release for “STS9 2.0” with Alana Rocklin since her taking over the staggering bass responsibilities for STS9 following David “Murph” Murphy’s departure in 2014.  Murph’s departure

On an evening in which summer still ruled in North-Central California, the compelling and charismatic Avett Brothers visibly pleased 5,000 or so souls with their lilting musical storytelling on Sept. 16. The unbridled, rootsy, folk-rock stomp took place at Thunder Valley Casino Resort’s outdoor venue in Lincoln, near Sacramento, California.