“Just had that . . . it's weird. Just had that little feeling . . . you ever get that funny little feeling [of] 'vujà dé'? No, not déjà vu. This is vujà dé. This is the strange feeling that, somehow, none of this has ever happened before. And then it’s gone.”

~ George Carlin (RIP George – if anybody deserves some of that RESpecT, you do, too, brother!)

“A life without cause is a life without effect.”

The date and location is unknown, all that is certain is that The Brave Abraham Judah walks the Earth. This six track concept album by Nick Miller & the Hustle Standard follows the fictional Abraham Judah as his spurs spin and his brow furrows. Released on August 14, of this year and peaking at the eight spot on the itunes Blues chart, you need to hear this tale.I was sold on The Brave Abraham Judah from the start.

It’s no secret that Boulder is a hotbed for bluegrass music. The area has spawned popular bands like Leftover Salmon and Yonder Mountain String Band, who might not be considered bluegrass in the traditional sense but certainly share an appreciation and admiration for the genre that undoubtedly influenced them.

So let’s get one thing straight. I am not a 20-something hipster tapping in to live twitter feeds from garage bands in Prague. I am not an old-school rocker with high off-road mileage and a septum tattered by blow. I am, like most of my middle-aged friends, a victim of an embarrassing epidemic that’s sweeping the nation. Musical Impotence.

Music history rarely has happy endings. A band can fall into a drug-induced downward spiral until they’re shadows of their former selves. Groups may rehash their first breakout album to lesser and lesser successes, eventually becoming that group that had “one good idea.” They can end prematurely from a death of a band member or a burning of bridges. Some bands may just never take off, forever forgotten in the sea of obscurity. And there’s the possibility of a combination of all of these failings.

Prepare your pantaloons and get ready to boogie, ladies and gentlemen – BoomBox is coming to Fayetteville, Arkansas! On September 21, 2012 you can expect to see a wonderful duo and nothing less than an enthusiastic, ready-to-dance-party crowd a George’s Majestic Lounge.From live instruments and mixed tracks to costumes, silly hats and feather boas, BoomBox is definitely a dynamic duo.

Whenever anybody puts the word “jazz” in front of the word “guitar”, certain universal indicators will emerge regardless of whom or what is being talked about. Generally “jazz” and “guitar” as a pairing will conjure another indicatory-laced meaning: “solo”. Inevitably, whenever somebody is playing jazz guitar, they are playing solo-oriented music. But what is the status quo of jazz anyways? Is there one? Not anymore. Too many purists, progressives, and modernists will have different ideas or definitions on what the quintessential essence of jazz is exactly.

When I entered the staggering Greek Theatre at UC Berkeley on Friday night, I was instantly impressed by the crowd. For an Edward Sharpe and the Magnetic Zeros concert, I was expecting bare feet, hoop skirts, and flower children.

The last time I saw Lotus was in April 2010 at the Boulder Theater in Boulder, CO where my friend – who I treated to the show - had the unfortunate experience of a bicycle accident on his way home afterwards. I’ll never forget the phone call I received the next day when he described the accident; it still makes me laugh.

The electronic and instrumental duo, BoomBox, played a vibrant, sold-out show at the Boulder Theater on Friday September 7, 2012. Known for being spontaneous and eclectic, BoomBox tailors each show to the crowd, the venue, and the evening. Their music is indeed impromptu and limber, yet they still produce a polished and thoughtful sound.