What an honor it was to see one of my favorite bands in one of my very favorite cities, and with some of my very favorite people. This year I traveled my way three hours to Chicago by car then by train to get to the Aragon Ballroom on December 30th, 2016 to see one my favorite bands of all time Umphrey’s McGee.

Let me just say, “Dr. Feel Good’s Traveling Medicine Show” by Great American Taxi sounds just like what I would expect from such a band performing an album with such a name. This is not to say that the album is bad or bland—very far from it—but that this is a “feel good” show that brings together the best elements of what a traveling show might be. And it’s quite the adventure.

The reclusive former member of the Indie music duo Civil Wars, John Paul White has come out of the shadows to perform songs from his new solo album, Beulah. After a short tour, last summer, he is following up with a 15-date tour of the across the United States and England. The tour included a very special stop at the legendary Troubadour club in West Hollywood, on January 11.

Sound Tribe Sector Nine has been a uniquely special force in the music world for many years now. Their evolution as musicians has been as otherworldly as the content of their music. Like any true long-lasting band, evolution is necessary for longevity. Innovation has been at its forefront for two decades. Their energy and creativity is what brings loyal fans back to see them time and time again. As we made another revolution around the sun, we are presented with a new year to celebrate change and growth.

Jazz is thriving elsewhere besides its living alumnus of prestigious inheritors from the classic eras. Much has evolved since the groundbreaking free jazz of the 1950s and 1960s from the likes of Pharaoh Sanders, John Coltrane, and Ornette Coleman. As some have satirically put it, ornithology or: the study of Bird (Charlie Parker that is) lives on within the experimental giants of our generation.

2016 was a year that much of the country would like to do over. Between deaths, elections and Kanye West, it was year of unremarkable lows. However, for Chicago, IL, 2016 was granted a hassle-free All Access Pass when the Chicago Cubs, the beloved baseball team from the North Side, broke a 108-year drought and won the World Series.

Up and coming electronic duo, Phantoms, brought the party (and the Jameson) to the San Francisco Bay Area.

On what was a rather warm evening, and I mean really quite warm for 9 o’clock on a day in mid-November, Phantoms returned to the city of San Francisco with their ever-so-catchy electronic synth beats and dark pop melodies.

Shelter Live Tour returns to northern California for one more night of pure bliss!

Porter Robinson and Madeon make their way back up California to touch ground in Sacramento. Halfway through the North American leg of the Shelter Live Tour, an additional date was added in northern California to the surprise and delight of thousands of fans that were unsuccessful in their attempts to get tickets to the two sold out shows in San Francisco.

Continuing a highly successful run through 2016, Stick Figure rang in the New Year with a pair of sold out shows at Cervantes’ Masterpiece Ballroom in Denver.  Colorado has been kind to the band the past year, and in return they’ve delivered a number of shows across the state. No resolution should change that.

In a time where the music industry is topsy-turvy, we need artists like Karl Denson more than ever. The multifarious Denson fares innately in different genres, as bandleader or sideman, and paid his dues as a touring musician that came into his own. The San Diego based saxophonist first gained recognition as a member of Lenny Kravitz and quickly soon after broke through in the A-list jazz circuit. His ambitious bop-oriented Chunky Pecan Pie (1994) featured an impressive supporting lineup of Jack DeJohnette & Dave Holland.