Marco Benevento

On a cold November Sunday night in Philadelphia not too many people were out and about. But at the World Café Live, near the Ivy League campus of the University of Pennsylvania, there was beautiful music happening with or without the crowds. Even the upstairs of venue has a special feel when it's not overly packed. It felt like a jazz night.

Many aspects of last Monday night's show at The Flynn Space in downtown Burlington, Vermont felt as if they had been transplanted from past eras, even different locales.
In 2002, I remember walking down the street that lead to the back of one of the smaller stages at the High Sierra Music Festival late one afternoon and being amazed by the sheet of sound that was slowly encompassing me with every step forward.

Due to a scheduling mishap by the Disco Biscuits, they had to play during Day 1, which made the festival's lineup suffer tremendously on Day 2 (pictures here). The festival's organizers compensated by making Day 2 free if one held any ticket stub from either Day 1 or any of the late night shows. That saved Day 2's attendance. We can't blame the festival's organizers for this one.

It was a beautiful day for most of festival until the headliner; the Disco Biscuits came on only to play two songs before the monsoon like conditions canceled the show. It was disappointing for the hometown band because they came out on fire. Earlier, people walked through the large vending area, sat in the fountains, and enjoyed the gorgeous view of the Delaware River as boats sailed by all day. Here's a run down on each band that played.

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