Reviews

My first interaction with a live music concert was in 1984 at JFK Stadium in Philadelphia, where I saw the Victory tour as a young kid. I still remember it vividly to this day. My family and I had to park so far away from the stadium because it was so crowded, and we hiked it for several miles to get there. Once there, I remember the electric that I felt that night.

After tearing up Boulder, the Disco Biscuits moved their way a bit South to Denver before their big Mayan Holidaze gig in Mexico.

S/T II: The Cosmic Birth and Journey of Shinju TNT, is the latest release from Akron/Family, the folksy, electronic madmen behind some of the greatest musical endeavors of the last five years. And this latest adventure, as the title might imply, is quite the undertaking.

My wife and I are both Deadheads. Neither of us gets out to shows as much as we used to now that we have a family, but a few years ago I bought her a Phil and Friends ticket for Christmas. She got to go to the show while I stayed home and watched the kids. I wasn’t up to snuff on the line-up as I’ve paid pretty scant attention to the Dead spin-offs for one reason or another.

I had never attended a live eTown radio show before, and didn’t know whether to expect a “Prairie Home Companion” type experience or a full-blown concert. What I found was the best of both worlds; insightful interviews intermixed with live music and an enthusiastic crowed.

The first night started out surprisingly quiet around the Boulder Theater, although the crowd packed in quickly after the opener.

On Friday night The Band of Heathens played to a full room at Oskar Blues in Lyons, Colorado. The Austin, Texas based gang unleashed their brand of southern rock, alt-country, Americana, or whatever you want to call it on full house of fervent fans. The micro-brews were flowing, and the crowd was ready to get down.

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Led Zeppelin, Jimi Hendrix, Aerosmith, and the White Stripes – what do they all have in common, besides blistering guitar and good ol’ rock and roll s

A semi-circle of six acoustic guitars with a microphone in the center shone down on by natural, uncolored stage lights faced the crowd. Show-goers enthusiastically bantered in anticipation and sipped their drinks.

On Saturday night Clarence Greenwood, aka Citizen Cope made a solo acoustic appearance before a sold-out crowd at the Fox Theatre in Boulder.

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