Venues

Two themes have remained constant at Mishawaka Amphitheatre over the years: music and community. Homesteaded in 1916 by Walter S. Thompson (and originally called “Thompson’s Resort”), Mishawaka Amphitheatre has provided a memorable gathering spot for Colorado residents and visitors to enjoy food and beverage, art, music, and spectacular natural surroundings for 100 years.

The nostalgia that takes hold when an artist like Gregg Allman rolls into town is unavoidable, and really, why would you want to avoid it at all? Coyotus Maximus brought along his newest band for two sold-out shows at the Boulder Theater last week, mixing up old songs with new tricks. Having a lifetime’s worth of material to choose from, Gregg and company spread open the songbook and presented a different set of retrospective hits each night.

Bluegrass singer/songwriter Peter Rowan makes his way around the whole United States performing intimate gigs and festival headliners on a regular basis. Rowan is generally touring with multiple different projects at once and in the studio. He’s released four original albums since 2010 including with his bluegrass band, his Twang an’ Groove project and solo. The bluegrass icon began his career in 1965 when he was hired by founding father of bluegrass Bill Monroe into his Bluegrass Boys band.

The marquee reads “Poor Man’s Whiskey: A Tribute to the Allman Brothers Band,” and the assumption that they’re no more than a cover band is understandable. Helping fuel the fire is their history of playing The Fox Theater with their renditions of Pink Floyd’s “Dark Side of the Moon” and the music of Old and In The Way. What the casual passerby doesn’t understand, however, is that there’s much more to this band than rehashing their favorite artists and albums on stage.

As we feel the weather changing around us, and we realize that Thanksgiving is in the air, we also must celebrate a few other traditions, like revisiting the Last Waltz, or listening to Arlo Guthrie’s “Alice’s Restaurant” on Thanksgiving Day. In Colorado, we now have another tradition around this time of year, invented by the minds of J2G Productions. In the spirit of the Last Waltz, we have our own all-star jam called the Dance Party Time Machine. This machine, escorts the audience through a timeless tale of dance music through a sixty year period.

For the uninitiated, The Wild Feathers may be the purest, most energetic descendants of the musical legacy of The Band that are out on the club circuit today. Their eponymous debut album came out a little over a year ago, and they have been touring relentlessly since that time. Their live shows are, simply put, whiskey-soaked, rafter-rattling good times.

The world’s truly finest jam band resides in the Bay Area and generally plays exclusively there only. For years I have wanted to see a David Nelson Band show.

This has been an amazing few months of music for me, but once again, I cannot avoid writing about how music has literally spread its wings to reach out as far as possible with different mixtures of sounds and influences to combine into a genreless gumbo. Elephant Revival’s Facebook pages states, “Where words fail…music speaks,” and as a writer, I could not agree more. I often ask my muse, where do I get the words to describe some of the music that I have been seeing lately? Needless to say, it is difficult.

Last weekend Elephant Revival returned home for a sold-out two night run at the Boulder Theater in Boulder, Colorado. The set of shows was called “Birds of a Feather Autumnal Ball”. The band Horse Feathers from Portland, Oregon kicked things off on Friday and opened for Elephant Revival.

I am not very religious, but I do consider myself very spiritual, and if I were to attend a church, it would be something that included the music of these guys. I do not mean to sound overly dramatic, but I was nearly moved to tears several times by the power that I felt coming from this stage. There were four men, two Malian (Muslim) and two Israeli (Jewish), and the music that they make together is as piano player and singer Idan Raichel calls religious on certain songs especially. It was one of my favorite musical experiences that I have ever had.

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