The Owsley Stanley Foundation, in partnership with the Ali Akbar College of Music in San Rafael, CA, is pleased to announce the sixth release from Owsley’s storied archive of live concert recordings – Bear’s Sonic Journals: That Which Colors the Mind, a previously unreleased 1970 live concert featuring one of the greatest masters of Indian classical music, Ali Akbar Khan (sarod), accompanied by Indranil Bhattacharya (sitar) and Zakir Hussain (tabla).

For this exclusive live streaming event from the SFJAZZ Center in San Francisco, CA, tabla master Zakir Hussain will perform solo and with a pair of special guests collaborating in real time from around the world — Grateful Dead legend Mickey Hart and bansuri flute virtuoso Rakesh Chaurasia.

There will be an encore performance on Sunday, November 15 at 6:00pm PST which will feature Zakir Hussain participating in the real-time chat to provide insightful commentary on the music and the performance. 

Over the past nine years Ragas Live Festival has grown to become a vital element in the cultural landscape of New York City. Since its inception in 2012 when 50 musicians volunteered to create an FM-Broadcast at WKCR 89.9 FM-NY with the theme of “Community, Unity, and Harmony,” the festival has expanded to become a popular live event at locations including The Rubin Museum of Art and for the last few years, Pioneer Works.  

To a world seeking to heal itself from the blight of a fearsome pandemic, John McLaughlin, Shankar Mahadevan and Zakir Hussain offer a new recording of their expansive, collaborative incantation “Sakhi” -- recorded via ISDN from each artist’s respective home.

One of the highest moments in Grateful Dead history came on September 16, 1978, in front of the Great Pyramid of Gizeh, when a rhythm and percussion choir led by Mickey Hart’s friend Hamza El Din opened for the band’s second set  by playing his song “Ollin Arageed.” As they sang and percussed, the moon went into eclipse.  One by one, the band members drifted on to the stage and joined them, eventually going into “Fire on the Mountain.”  It was pure magic.

Six years in the making, Is That So? is one of John McLaughlin’s deepest and most profound musical collaborations with prolific Indian composer and vocalist Shankar Mahadevan. Joining the duo is their life-long friend and musical brother Ustad Zakir Hussain on the tabla, who has been collaborating with McLaughlin since they founded Shakti in the early ‘70s, acknowledged by most to be the first groundbreaking crossover East-West musical group.

A classical tabla virtuoso of the highest order, Zakir Hussain is well-known for his constant explorations of music from around the world. His latest ensemble, CrossCurrents, attempts to portray all directions of inspiration between the idioms of jazz and Indian music. The great bassist Dave Holland, a player with one of the most distinguished careers in jazz, brings his singular vision to the group.

Few musicians completely transcend cultural barriers while keeping their craft authentic to their origins. One of the few percussionists to achieve this feat in the 20^th century is tabla legend Zakir Hussain. Traditionally in Indian culture, one carries on their family’s craft. Zakir is son of iconic table master Alla Rakha, who frequently collaborated with Ravi Shankar. Both masters were pivotal in exposing the music of North India to the Americas.

Celebrated Indian tabla master Zakir Hussain's exciting announcement of a dual performance alongside sitarist virtuoso Niladri Kumar at UC Berkeley's Zellerbach Hall was instantly an event not to be missed. The evening's exploratory possibilities have been further expanded with the exciting addition of percussionist and musicologist Mickey Hart as special guest.

Few eastern musicians have made a stronger connection to the west than Zakir Hussain.  It is fitting since his father; legendary tabla virtuoso Allah Rakha, popularized the instrument worldwide and pioneered North Indian traditional music to England and the Americas.