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Boris Garcia’s new album Around Some Corner is concurrently refreshing and reminiscent. Producer Tim Carbone gelled conspicuously with the pop-Americana sextet, polishing off their most developed offering to date. The Philadelphia based group doesn’t seem to care about proving themselves as genre bending or cutting edge since their songwriting, and musical sincerity shines beyond anything contrived.
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It’s peculiar to think about, but the album, as we know, it is dying off. The single already takes precedent, for those bands that are looking to reach the widest number of listens on the pop charts. The major upside to the current state of the music business is that the live concert experience has taken precedent as the best way to make it as a musician. One of the most admirable acts out there right now, gaining the adoration of loyal fans while releasing quality albums, is progressive grass sextet the Infamous Stringdusters.
The fiftieth anniversary of the Summer of Love is among us. Country Joe McDonald’s music was a cornerstone of those times. Whether you know him best from his iconic Vietnam protest anthem “I-Feel-Like-I’m-Fixing-To-Die Rag” or have dug deep into his brilliantly diverse Country Joe & The Fish seminal albums, including the aforementioned title album and Electric Music for the Mind and Body, all of the above happened in 1967, fifty years ago this summer.
While many acts from the progressive rock era of the 1970s still perform, none play with the precision, conviction, and authority of King Crimson. A Bold statement you say? Without bringing other specific acts into a debate, it all boils down to the devotion and continued creative drive of founding visionary Robert Fripp.
Grateful Web recently had an enlightening conversation with Hawk Semins of The Owsley Stanley Foundation. Hawk is an OSF board member, the Foundation's lawyer, the corporate secretary, the executive producer of the box set, and sometimes he even works in the mailroom. He helped to form the Foundation after Bear died and has volunteered his time to the organization since then, working closely with Bear's son, Starfinder Stanley, the OSF President.
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In a startling loss for American music, Gregg Allman passed away today at age 69. Gregg began collaborating with his brother Duane Allman in the early 1960s, eventually forming a band that would change the face of rock’ n ’roll and American music.
Dylan Muhlberg of Grateful Web here with guitarist, singer, and songwriter Grahame Lesh, who cofounded Bay Area based folk rock band Midnight North five years ago.
Pat Mastelotto joined iconic English “Progressive rock” originators King Crimson back in 1994. His years as a stalwart L.A. session drummer brought him to audition with Crimson’s founding guitarist and (undefined) bandleader Robert Fripp. The rest is history. Mastelotto’s diverse style lent itself to their groundbreaking double-trio format which deeply expanded the ensembles live spectrum of possibilities.
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It's an understatement to say improvisational guitar icon Steve Kimock has been keeping busy. He’s approaching an East Coast tour with his newest band KIMOCK featuring his son John Morgan Kimock on drums and frequent collaborator Leslie Mendelson on guitar and vocals. He just wrapped up a successful yet unprecedented mini-tour of Japan.
Scott Guberman has been a professional rock pianist for years now. He’s Deadhead thru and through who first saw the Grateful Dead in the Brent Mydland-era and never looked back. Destiny brought Scott and his wife out to the San Francisco Bay Area to inevitably become an integral part of Terrapin Crossroads musical community.