Reed Mathis

Last Monday & Tuesday, Billy Kreutzmann brought his latest incarnation of the Kids to the mainland to play a two-night blowout at the sandstone mecca Red Rocks. Originally slated as a single show, tickets sold out almost instantly and in light of this demand, the call for more was answered. The response: another sold out show.

During the lockdown last year, Reed Mathis had lots of time on his hands. Setting an intention to use the downtime wisely, he decided to visit his storage space filled with countless recordings, photos and miscellaneous ephemera from his years and years of touring and recording with underground jazz experimentalists, Jacob Fred Jazz Odyssey.

In Reed's own words: "What I found in there astonished me."

Location

Morrison, CO

Event Date
Add to Calendar 2021-07-13 20:00:00 2021-07-13 20:00:00 Title Description Location Grateful Web aaron@gratefulweb.com America/Denver public

Grateful Mahalo was a birthday party celebrated on the island of Kaua`i and all over the world for our favorite birthday boy, Bill Kreutzmann, drummer of the Grateful Dead, born May 7, 1946 in Palo Alto, California. Bill was told he was a teenager that he had no rhythm, but began playing drums in his early teens anyway.

Like most musicians in 2020, Reed Mathis found himself with time on his hands being that all of his tours and session work had been cancelled for the foreseeable future. Never one to idle, Reed turned attention to his archives, dusting off countless hours of audio from Jacob Fred Jazz Odyssey, the Tulsa, OK-based band that he helped found and performed with for nearly 15 years. First and foremost, among his discoveries was 'Winterwood'—Mathis' final studio recording with JFJO.

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While musicians are dealing with canceled tours and extra time on their hands, music director and drummer Adam Chase (Jazz Is Phsh, James Brown Dance PartyChase Brothers) is picking the brains of some of the most interesting musicians in the jam scene and sharing his findings with us at Grateful Web.  This week Chase gets bassist Reed Mathis to dive into the power of t

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