Reviews
It is such a gem that the large family of bluegrass music still has the likes of Del McCoury around. And simply declaring that Del is “still around” is a gross understatement. More accurately would be acknowledging his linage and persona as being at a career-high peak moment. Not only has classic bluegrass music had resurgence in popularity over the last twenty years, but also many of the oldies of the genre are still hashing out quality work.
This was a night to be excited about. The night was filled with two heavy hitting, classic, amazingly talented bands. I was even thrilled to be going to the Paramount Theater in Denver to see this show because this underrated venue just does not have the caliber shows that it deserves. Every time I go there I am reminded by how magnificent it is. It was the perfect place for these two power houses to take the stage.
The greater Boulder-Denver area is growing as an undeniable mainstay of excellent live music and the culture contained within. We get the likes of the best acts in jazz, rock, jam-band, electronic, and popular music. Something about the devotion and enthusiasm of our crowds keeps bands coming back to this very specific location. Naturally we also have plenty of mainstay bands that grew in popularity out of Boulder-Denver if they weren’t born there to begin with.
The opening track on Avos, by James Elkington and Nathan Salsburg, “Hospitality”, has a sneaky, adventure feeling to it. One guitar holds down a somewhat dark undertone while the accompaniment dances happily, almost mischievously on top.
Musician Les Claypool has been a bit of a chameleon over the last decade, exploring the jamband world with his collaboration with Trey Anastasio (Phish) and Stewart Copeland (The Police) known as Oysterhead, fronting multiple side projects including, but not limited to, Les Claypool’s Flying Frog Brigade,
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Rene Lopez (pronounced Ren-ey) is a striking Spanish hipster born in the heart of Bronx, New York creating a fusion of sound he calls “electric Latin soul.” His newest solo album, aptly titled ELS, is being released on Nat Geo Records alongside the recently signed festival favorites Toubab Krewe. Lopez seems to be gaining a similar, jam-rock oriented fan base, and it’s clear from his album why, though his work with John Butler Trio’s Money Mark and ‘90’s jam band Wasabi doesn’t hurt.
The Milk Carton Kids’ most recent release is titled “Prologue,” and it is aptly named given that with this recently formed collaboration of Joey Ryan and Kenneth Pattengale, the main event that fans should be waiting for is their vibrant and unexpectedly stirring live show.
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The crowd gathers in front of the Wow Hall, a towering white brick building both foreboding, and enticing as it waits to swallow its next victims of pleasure. Inside, the stage stands wait, the instruments poised for the return of their faithful muses. The door to the Wow Hall opens, and eager fans begin to disperse into the quite building.
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How lucky the creators of Aqualung; Ian Anderson, and Martin Barre; came halfway across the world to a 65 Million year old red stone amphitheater in Colorado under a cool early June evening sky, to recreate one of the seminal rock albums in history.
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This August 2011 was the sixteenth anniversary of the passing of Jerry Garcia. Most heads know the time between his birthday (August 1st) and his death day (August 9th) as “The Days Between”.
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