Reviews

Bobby and Ratdog played the Beacon Theater in New York City the past three nights.  One of our writers, Sharon Abella, was on hand and snapped some photos of the show.  Check back soon for her write-up from the night. And a special thank you to Dennis McNally for his wonderful hospitality.

Enjoy,

The Grateful Web

The word conventional will never apply to a band like Toubab Krewe, that is unless you consider a strange mix of traditional African instruments, electric guitars, two drummers, dancing, and touches of Southern Rock, Jazz, Reggae, and Latin sounds to be normal.  This highly experimental but infectious sound is what has propelled Toubab Krewe into the realm of fan favorites at festivals across America.  Once again I had the

On Sunday, March 16, Seattle will experience a musical first. The Seattle Chapter of the Washington Restaurant Association (WRA) will bring together food from fifteen Seattle restaurants and musicians right out of their kitchens and dinning rooms. Seven area bands who have a connection with the food industry will be playing throughout the night at the Showbox SoDo, 1700 First Avenue S., starting at dinner time, 6 pm.

Last summer, shortly after Jason Isbell dissolved his ties with the Drive-by Truckers, I had the opportunity to catch him at another local DC venue, Rock & Roll Hotel.  The small space was packed with Truckers fans eager to hear one of the three voices behind the band, solo, and able to interpret songs as he deemed fit.  Needless to say nobody left disappointed, and the next ti

Short.  Sweet.  Simple.  That is the best way to describe the newest release from New York's favorite jam kings, moe.  Coming in a just over forty minutes, Sticks and Stones is a clean and concise recording of songs that were all written in the studio, versus the band's usual method of writing material on tour and road-testing them prior to tracking.

"It was all about the voice tonight," said Ruthie Foster, the spirited opening act from Texas. She couldn't have been more correct. Walking into the Scottish Rite Auditorium in Collingswood, NJ is an experience in itself. The historic 1930's art deco venue is an extremely intimate theater which holds about 1,000 people in a tight moon shape circle around the stage. The ambiance was perfect for one of the greatest voices alive today.

We've all been there.  It is 11:15 at the music club, and the band you have been excited to see for months still has not taken the stage.  Show time said 9:00 but you have yet to hear any music.  You give a big yawn, and look at your watch again.  Nothing.

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Festival season!  I love it, and it is almost upon us.  After viewing the initial lineups for some of the big music festivals I couldn't help but notice the large number of indie rock bands that are sneaking their way into what are usually very jam-heavy celebrations.

When we Yanks think about England, what comes to mind? High tea? Mary Poppins? The Queen Mum? The Stamp Tax? What about gumbo? How about fur-lined bucket hats and matching full length mink coats and platform shoes with the goldfish in the bottom? No? Allow me to spot you three letters and that should be a hint at where I'm headed: "U-N-K."

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Years ago when trading cassette tapes of live Phish shows was all the rage, I remember coming across this historic performance and just being in awe of the amazing energy and enigmatic jams heard throughout this show.

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