Joe Russo’s Almost Dead took over Red Rocks Park and Amphitheatre last Thursday, August 29th, igniting a monumental weekend of music throughout the Greater Denver Area. Attendees began their night socializing and connecting to fellow Deadheads in the lots, as others had their finger up looking for their miracles for this legendary sold-out show at Red Rocks.

It was a summer New England weekend at the site of the Marshfield Fairgrounds in Marshfield, MA. The 7th Levitate Music & Arts Festival was underway with some big names in rock, reggae, blues, and jam music. Not only does it bring great music, but it also brings great philanthropy and a homegrown vibe. 

What is fair to say and what is hyperbole? Is it overstating things to say the Grateful Dead have become so much more than just their music? They define pieces of us. Times with friends. Discovery. They have become an institution reaching further than just recordings of their shows. But no matter what, for all of us, it still starts there; with the music. The music was and is a driving force in us. But since it has ended, and it has ended, what we are left with are new branches growing from roots sewn in the 60’s.

“Tennessee Jed” was a raucous riot, as it indubitably should be. The instrumental breaks showcased JRAD’s proclivity for shaking fresh ideas out of well-worn material. Benevento dropped a stanky, Dr. John crossed with Dave Brubeck piano piece. Metzger and Dreiwitz slipped into a parallel, Bizarro “Jed.” The entire unit tilted and started to spin ecstatically. It was like putting a Ferris wheel on top of a roller coaster. JRAD increasingly infused the Dead’s material with their own creative energy. They weren’t out to simply play these cherished songs; they sought to possess them and make them their own.

“I think of this album like a bunch of abstract paintings,” says Ghost Light’s Tom Hamilton. “We present the songs as a series meant to be experienced in a certain order, but at the end of the day, whatever that series makes you feel is totally up to you.”

Jam scene visionaries Joe Russo’s Almost Dead are underway on their current 2019 winter tour, and this past week performed at Penn’s Peak in Jim Thorpe, PA, the following night at College Street Music Hall in New Haven, CT, and last night at The Wellmont Theatre in Montclair, NJ.

Grateful Web is thrilled to present, Ghost Light, at the Fox Theatre, Boulder, Colorado, Friday, March 29th.  Join us for this fabulous event, as some of today’s hottest musicians team up with one of the best venues in the country for a quintessential exploratory musical experience.

Higher Ground is pleased to announce Joe Russo’s Almost Dead on July 28, 2019 as a part of the Lake Champlain Maritime Festival. Tickets go on sale Friday, February 8th at 1pm.

Last weekend, the historic Warfield in San Francisco hosted a special two nights in honor of the life and legacy of Jerry Garcia. It is fitting, as the storied 86-year old theater hosted Grateful Dead and Jerry Garcia Band dozens of times and continued to book acts that bring an adventurous music spirit. One of the beloved guitarist and bandleader’s closest collaborators outside of Grateful Dead was organist Melvin Seals.

East-coast jam masters, Joe Russo’s Almost Dead brought their inventive interpretation of Grateful Dead music to a sold-out, typically relaxed but receptive crowd at Eugene’s (Ore.) McDonald Theater, August 11. Many locals were getting their first look at the heavily hyped combo from New York.