Reviews
What do you get when a band known for their funky grooves decides to pair up with a soul soldier to recreate the hip-shaking magic of a legendary posse? Pure perfection.
Denver is a Broncos town. When they play everything else takes a backseat. With the Broncos playing on Monday night, I did not expect Holiday Shores to draw much of a crowd for their show. Deservedly so, they had a bigger crowd than I anticipated. By the end of the night, they were far more interesting to watch than the Broncos.
T Bird and The Breaks were walking the lady killer beat pre-show Friday (November 6) night. Of the nine members of the band some were prancing the approximately 30 feet by 60 feet downstairs of Stubbs in anticipation, while others were getting loose with mixed drinks, MGD and billiards.
Live Dead were quite the frequenters of the Starry Plough in the Spring and early parts of the summer of 2009. During a short hiatus away from Berkeley the band toured other parts of California such as South Lake Tahoe, Eureka, and the famous Brookdale Lodge in the Santa Cruz Mountains.
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Legendary jazz-funk bassist Meshell Ndegeocello recently brought her band to Boulder Theater in support of her new album, Devil's Halo – a show totally unlike the one I expected (more on that in a minute).
Any Questions? If you have not been to a David Bazan show, you might be caught a little off guard when he solicits questions from the audience. His show with Say Hi at the Hi-Dive was reminiscent of the times I have seen him in the past. He answered questions, joked around and eliminated any barrier that traditionally exists between musicians and their fans.
Describe them anyway you want; whether it be glitch, trance, trip-hop, ambient, dub-step, or electronica. The fact remains that the explosive improvisational duo known as EOTO are just plain badass. Multi-instrumentalists and sometimes String Cheese Incident members Jason Hann and Michael Travis continue to explore the universe and conquer galaxies with their house-pounding beats and cosmic rhythms. What was born out of the extended SCI hiatus as an experimental project has grown to a full-on club headliner. With the release of
Bob Dylan still rocking a place like the Greek Theater in 2009? Anyone who would stated that to be possible in the late sixties would have others thinking it to be very unlikely. By the late sixties Dylan had crashed his motorcycle badly and had turned into a recluse poet, shying away from the claims that he was one of the big “prophets” or “fathers” of the hippie generation. Dylan rejected the notion preferring to be labeled a human being like the rest of us. He changed his harmonica folk blues to a more country tinged rock n’ roll.
Pete Yorn is back...well almost. The title back and forth is very appropriate for his latest offering. It feels as though Yorn has spent a good part of his music career trying to figure out his sound. His first two albums MusicfortheMorningAfter and Day I Forgot were very similar. Both played to Yorn's strong songwriting abilities. Yorn went a bit off course with his third album Night Crawler. Do not get me wrong, Night Crawler has its moments but it is incredibly overproduced to the point that it drowns out Yorn's vocals.
